Tag Archives: title fight

The Is This Thing On? Top 10 albums of 2015

So… I wasn’t gonna do an album of the year list this year. Mainly because I have been completely neglecting this blog for the most part of the year and felt a bit odd logging back in to just post a list of records I like. Also, I seem to have gone through a slump with new music, preferring instead to listen to older stuff. In truth, the album I’ve listened to most this year is ‘Leaves Turn Inside You’ by Unwound, an album which I’ve fallen head over heels for. But that was released in 2001 so isn’t really eligible for consideration here.

However, I did start to think that I would regret not doing one. These lists are fun to look back on in future years and give a great indication of my way of thinking at the moment.

So here goes….

10. Blur – The Magic Whip


I’ve always had a big soft spot for Blur, even if in the mid 90s I wouldn’t admit it as to not ruin my devout grunger street cred. I was happy to hear that a new record was coming out but had little idea just how good it would be. The Magic Whip is fantastic, It’s Blur back to their ’13’ era best but still sounding relevant. Damon’s genius songwriting with Graham’s inventiveness have been sorely missed and it was great to have them back.

9. Carson Wells – Tread A Northern Path


I thought I was going off post hardcore before I heard this. But Carson Wells reaffirmed my belief that when done well post hardcore is the greatest musical genre of all time. Still bringing the energy and noise they always have, Carson Wells managed to fit in even more passion and heart to this record than before. Essential listening.

8. Title Fight – Hyperview

Some people didn’t seem to get on board with this record which is fair enough due to a sizeable shift in direction. But, to me, this album was an amazing achievement which highlights a great maturity within the band. Title Fight may be heading more towards shoegaze nowadays but the whole album is rooted in their hardcore sensibilities and shows the band to be the great songwriters they are. When they played in Canterbury with Cold World in the spring it was one of the most special nights of the year and a personal highlight.

7. Waxahatchee – Ivy Tripp


Another record that soundtracked the summer this year, effortlessly catchy and loveable lo-fi indie pop the like of which I’m a complete sucker for. This record made me chastise myself for being slow on the uptake with Waxahatchee as her previous record is just as good. Maybe I just have to accept the fact I’m usually late to the party with most things, but at least I get there.

6. Spraynard – Mable


I punched the air when I heard that Spraynard had reformed, and couldn’t stop smiling as I listened to ‘Mable’, their comeback record. Missing out on a record like this is is exactly why I was so gutted when they split up, it is the most perfect pop punk being made right now. So much energy, heart and hooks. Oh so many hooks!!

5. Hop Along – Painted Shut


This band can do no wrong, simple as that. To follow up an album as genius as ‘Get Disowned’ must be terrifying but Hop Along take it all in their stride. ‘Painted Shut’ is every bit as good as its predecessor, it sounds amazing and I could just listen to that voice all the day long.

4. Beach Slang – The Things We Do To Find People Who Feel Like Us


What a revelation Beach Slang are, after two very promising EPs they finally delivered a full length record towards the end of this year and it is a rock triumph. Writing songs as big and as hook laden as Jimmy Eat World used to, if it was still the 90s Beach Slang would be playing the main stages of major music festivals. But it’s not, no good bands get to do that anymore, they’ll just have to make do to with being rock stars in my eyes. Hopefully they’ll settle for that and release many records of this quality.

3. Foxing – Dealer


I made the mistake of listening to ‘Dealer’ for the first time during my lunch break at work at the same time as being really in to reading ‘The Psycopath Test’ by Jon Ronson. Now when I listen to it I’m immediately inside Broadmoor but that’s my problem and I’ll learn to deal with it. You probably know how much I love Foxing’s first record, ‘The Albatross’, so you can probably guess just how excited I was to get my hands on this album. Having recently seen them live they had given themselves a lot to live up too. Foxing, thankfully, were up to the challenge. ‘Dealer’ is a really complete record, the kind that demands to be listened to the whole way through, from start to finish. That way you’ll always get the pay off of ‘Glass Coughs’ and ‘Eiffel’, two of the years most beautiful songs.

2. Shizune – Le Voyageur Imprudent


When you see the words ‘Italian screamo’ you know you’re in for a treat, and this record certainly is a treat. It starts with a bang and caries on being intensely brilliant until the very end. If you think you may be bored of this kinda thing then Shizune will reaffirm your faith, let me tell ya. Very highly recommended.

1. Sleater-Kinney – No Cities To Love

Indigo loves this record!!

 

This record and this band has really defined this year for me. I cannot begin to tell you how excited I was that they were releasing a new record after 10 years on hiatus. Their last record, ‘The Woods’, is one of my favourite of all time, they left me sorely wanting more. And ‘No Cities To Love’ was worth the wait. They have said in interviews that they would only release something new if they were up to producing something of quality, this is definitely the case here. Again, it shows a shift in direction, this is a much more straight up rock record but still a sound that is unmistakably Sleater-Kinney. We have Sleater-Kinney on heavy rotation on our car stereo on family days out, the kids each have their favourite songs, Thurston loves ‘Price Tag’, Indigo is a big fan of ‘Oh!’ from ‘One Beat’ and so on. I can’t pick a favourite from this near perfect album. Here’s hoping there’s not another 10 year wait for their next one.


This has been fun, thanks for reading. Maybe see you more in 2016.

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NEWSLETTER #3

Hey again. I have a rare morning of not having to do anything or be anywhere so what better way to pass the time then post another of these newsletter things. The theme for this one is ‘SPLITS’.

The idea for bands to release split singles/ep’s/albums has been around for ages but there seems to be a real trend for it at the moment, and why not? as the pickled onion producer Barry Norman would say. Splits are great, who doesn’t like the ‘2 for 1’ deal that you get? No one has yet to better the greatest split of all time, The Promise Ring/Texas is the Reason split 7″ and no one is likely to but some of the recent splits are pretty damn good so lets crack on.

1. PIANOS BECOME THE TEETH/TOUCHE AMORE (Deathwish/Topshelf records)

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If you’ve read this blog a lot then you’ll know my feelings about Pianos Become The Teeth, they are one of my favourite bands of the last 5 years. Their albums still blow me away with every listen, they left me speechless when I saw them play live in Margate and when I bumped into their guitarist in Subway, Tunbridge Wells before seeing them play the forum, he invited me to sit and eat with him, amazing! Their song from this split, ‘Hiding’, doesn’t disappoint one bit, in fact it exceeds all expectations. It’s slower and gentler but powerful. An epic song packed full of emotion, it’s a bit of a cliché for someone who writes a blog predominantly about emo to say they well up when listening to a song but Kyle Durfey’s voice does something to me. My heart literally melts as soon as he starts singing mix this with the post hardcore meets post rock music and you have as near perfect a song as you’re likely to hear all year. This review probably sounds a bit one-sided but nothing should be taken away from Touche Amore. Again they are an incredible band and their song, ‘Gravity, Metaphorically’, matches the PBTT side for brilliance. It’s a bit of a departure for TA, you could also describe this song as an epic as it’s about 4 times longer than any song from their last record. With the same kind of attack Touche Amore bring to their music, this song is allowed to breathe giving them time to play with the dynamics resulting in a rollercoaster ride of a song that leaves you exhausted but also wanting so much more. Cannot wait for their new record which is due to come out in the autumn.

Stream/Download HERE

2. TOUCHE AMORE/TITLE FIGHT (sealegs records)

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Sticking with Touche Amore for the moment, I do love a split where the bands cover each others songs ever since I got the Built To Spill/Marine Research split 7″ all those years ago. And this is exactly what you get here and what great songs they chose. Touche Amore could have chosen any song from ‘Shed’ and I’d have been happy, ‘Crescent-shaped Depression’ is what they plumped for and do it more than justice. It’s a straight up cover but it sounds great with Touche Amore bringing all the energy they normally do to their own material. Title Fight are pretty much a faultless band, their cover of ‘Face Ghost’ from Touche Amore’s last record ‘Parting the sea between brightness and me’ is brilliant. Mainly for the fact that at first glance it’s a straight ahead, loyal cover of a great song but Title Fight subtly bring their melodic hardcore/shoegaze crossover that they’ve been leaning towards on ‘Floral Green’ and it really sets the song alight. Both great bands playing great songs by each other, what the hells not to like?

Listen HERE

3. BRAID/BALANCE AND COMPOSURE (No Sleep Records)

braid

I finally get to see Braid play this summer and it’s on my birthday which is pretty damn perfect. In the meantime they’ve put out a split with Balance and Composure, a few people were annoyed that they were doing this with a new band but I really like Balance and Composure so can’t see the harm. Plus, Balance and Composure come out of this a bit better judging by the songs on display. Their half of the split doesn’t really cover any new ground for the band but cements their reputation for making really solid and really enjoyable slacker, indie grungemo, I don’t know if this is a reputation they have outside of my head but they should. The Braid half took a while to get in to, at first I wasn’t impressed. Both songs have grown on me more but neither come near to reaching the heights of ‘Frame & Canvas’, the album they’ll be playing in full this summer.

Stream/Download HERE

4. WITS END/HUMAN HANDS (adagio 830, strictly no capital letters, lila himmel, eat a book, and time as a color)

hh

This is a beautiful, must have split single on many levels. Not only are both tracks superb and also superbly different, but the way it’s packaged and presented reminds me why I love music and this scene so much. The 7″ comes in an individually stamped paper bag with photocopied lyric sheets, it is understated and glorious at the same time. The songs are pure emo joy, Wits End from Norway play brooding and intense emotional hardcore while Human Hands deliver long, repetitive, sparse, lo-fi’mo which builds with heart breaking beauty. Both songs fit perfectly together making an essential split single.

Stream Human Hands HERE Stream Wits End HERE

5. TIGERS JAW/CODE ORANGE KIDS/SELF DEFENSE FAMILY/THE WORLD IS A BEAUTIFUL PLACE & I AM NO LONGER AFRAID TO DIE (Topshelf records)

tj cok

This split wins the award for the most interesting and intriguing of all the splits mentioned today. The line up had to be admired, 4 totally different bands put together on one record and it all makes sense. Although, this split is tinged with sadness, could this possibly be the last song that Tigers Jaw ever release? I fucking hope not, I was so gutted to hear they had split up and it’s with a heavy heart that I listen to their new song. If they had made it terrible then maybe it would be easier to accept the break-up but Tigers Jaw don’t know how to write bad songs. ‘Fake Death’ shows a band still at the height of their powers, the guitar work, the harmonies, the downbeat pop, it’s all there and it’s all good. Code Orange Kids take you by surprise with ‘VI (Worms fear god // god fears youth), experimental yet captivating. Self Defense Family take you in an altogether different direction with their affecting and repetitive folk anthem ‘Holy Trend’, that leaps at you with the delivery of someone preaching the end of the world on a street corner. The split is finished by The World Is A Beautiful Place & I Am No Longer Afraid To Die who really are an incredible band and not just because writing their name in full on my blog pushes the word count up considerably making me feel like I’ve done more work. Their song, ‘Beverly Wyatt’, is typically beautiful and uplifting and the underlying ethereal melody that plays through the whole song helps paint pictures in your mind. There is a rumour going round that they are going to tour the UK this autumn with Dads, this has to happen!!

Stream/Download HERE

6. DIKEMBE/HIGHTIDE HOTEL/JET SET SAIL/MONUMENT (Count Your Lucky Stars)

dikembe hh

Another 4 way split and another stellar line up. Dikembe can do no wrong, their songs are always instantly likeable and this one is continued proof of that theory. ‘Donuts in a six speed’ wouldn’t have felt out-of-place on ‘Broad Shoulders’ and builds the excitement nicely for their new album which will be out soon. Hightide Hotel announced last year that they are splitting up but not before they release their second record this year. It’s a massive shame because based on ‘Built to last’ they’re a band that could offer so much. The main riff reminds me of the kind of ones i’d try to write for my old band back in the 90s, I was never this good though. Jet Set Sail continue the quality of the split here with their barnstormer ‘Strickland North’, I definitely need to investigate this band more because I listened to this song back to back a good 4 times in a row which always a good sign. Monument bring the split to a close with ‘Sophisticated Liars’. Monument are a criminally underrated band who write consistently great music, their song here is catchy enough to have you singing along by the second chorus (woooaaaoooohhh) and is a good reminder to listen to their music more.

Stream/Download HERE

7. FAKE PROBLEMS/YOU BLEW IT! (Topshelf Records)

ybifp

A band I love and a band I’ve not heard before makes for a good split single, which is exactly the case here. Fake Problems play bright, britpop-esque music with massive choruses, they remind me of Gene and maybe a little bit of Suede in a good way. I wasn’t expecting to be reminded of them and it came as a nice surprise, their songs are catchy enough to find yourself humming them to yourself hours later. You Blew It! made one of my favourite records of last year and the 2 songs on offer here keep that quality up, the first of which, ‘Batavia, NY’, is currently my favorite songs of theirs. Saying that, both songs are great. You Blew It! are another band who need to make the trip across the pond and come play for us.

Stream/Download HERE

8. FOOTBALL, ETC./PLAIDS (Strictly No Capital Letters, Count Your Lucky Stars)

pl

I’ve written so many nice things about Football, etc in the past that I’ve literally run out of superlatives to attribute to them. Although I’ve probably never simply stated that they’re fucking great, which I should’ve because they bloody well are. Their song here, ‘Down The Field’, continues them on the path to become my absolute favourite band, faultless indiemo of the highest quality. Them putting out a split with Plaids is a very exciting prospect. If, like me, you spend far too many hours reading about emo bands on the Internet then you’ll know that Plaids are one of the most exciting bands in the UK at the moment. They just get it, their music plays with time signatures, brilliant angular guitar work and delivered with a blast of incredible energy. Both bands are touring the UK together this summer which will be a tour not to miss.

You can download/stream the songs HERE

Cheers for reading!!

Come and say hi, leave a comment here or on Facebook www.facebook.com/isthisthingonblog or on twitter @alex_itto

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The Is this thing on? Top 10 Records of 2012

What a year 2012 has turned out to be. So much so that this list has proved to be near impossible to write, choosing the 10 best records of the year and then listing them in order of bestest has given me a headache. Don’t get me wrong, it’s a good headache and I ain’t complaining. Last year I posted a top 10 and so I thought i would continue with this. My best friend paul who writes the Wallernotweller blog made the sensible choice of listing 15 records but I’m not that wise. So, 10 it is. Meaning that some bloody good records have ended up missing out on this list. Bands like Suis La Lune, Converge, Joyce Manor, The Cribs, Sport, Ape Up! and Dads have all produced some quality work and have only missed out on my top 10 by the slightest of margins. Annabel too, whose album ‘Youth in youth’ is packed with greatness and if it had come out earlier in the year it might have taken one of the top ten places. These are all very worthy but they can’t all be winners so on with the list..

10. You Blew It! – Grow Up Dude

you blew it

This is an album that just keeps on growing on me, I like it more every time I listen. The records perfectly understated production mixed with the heart and melody of the music make it hard not to love this album. The fact that bands are making music like this is the reason why I write this blog, if someone asks you if there really is a 90’s emo revival happening at the moment then play them ‘Grow up dude’ and they will have their answer. I’m sure I saw someone mention on something or other that You Blew It! might be coming to the UK in 2013, this needs to happen. In the meantime I’ll just make do with falling in love with this album some more.

9.  State Faults – Desolate Peaks

OLYMPUS DIGITAL CAMERA

My first listen to ‘Desolate Peaks’ was my first experience of State Faults and by heck it was a good one. I love it when you put something on completely without assumptions and end up being blown away. The record is powerful yet touching. It perfectly fills the void left by Pianos Become the Teeth not releasing an album this year. But of course State Faults are a lot more than just a lazy comparison and they are by far the heaviest, screamiest band on my list this year. Earlier in the year they were kind enough to answer some of my questions, click HERE to have a read.

8. Dowsing – It’s still pretty terrible

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This is a record that is full of charm and beautiful indie pop songs that warm the soul. I said in my review of this album a few months ago and I stick by it, this is the record The Get Up Kids were trying to make with ‘On a wire’ and failed. Dowsing however hit it spot on. Now I know for a fact that they are planning to tour the UK next year, this is one not to miss. These songs in a packed venue with a whole crowd singing along to every word is something I definitely wanna be a part of!!!

7. Basement – Colourmeinkindness

bment2

This is a record that appeals to the teenager in me, the spotty kid in the early 90’s with long greasy hair who was proud to called a ‘grunger’ by every chav in Thanet. There are so many grunge influences on this record that it’s hard to keep up, Basement mix in their straight up melodic hardcore and what you have is an album that’s screaming out to breakthrough. If it does it’ll be too late though as Basement are no more which is more than a damn shame. Great record!

6. Glocca Morra – Just Married

glocca morra

Glocca Morra are quite possibly my favourite band that I discovered this year. ‘just Married’ got a hefty few plays again and again this summer and listening to it now immediately reminds of that time. This is a perfect summer album because it’s just so much damn fun. If I was in to having house party’s and was wanting to get things happening then i would reach for this record, it would pretty much guarantee everyone a good time. Not only did Glocca Morra give us ‘Just Married’ this year, they followed it up with the equally amazing ‘An obscure moon lighting an obscure world’ EP. I hope they keep this momentum up and maybe next year they can claim my entire top ten!

It has come time to take a short break from this countdown and take a minute to remember the bands that we have lost this year. I mean, what awards show would be complete without a memorial montage and this Top 10 is no exception. So watch the video below and join me in some quiet reflection as we remember those that are gone.

5. Crash Of Rhinos – Distal

crash of

Now, I know what you’re thinking, technically this record didn’t come out this year. It was first released in April of 2011 but it was re-released this year by Big Scary Monsters and this record is too good to be left out on a technicality. Plus who are you to say I can’t have them in my top 10, you’re not my mum! (mum if you’re reading this put the laptop down and back away, they’re in and that’s final). Crash of rhinos are almost too good, beautifully brilliant songs that last forever yet never outstay their welcome. With incredible vocals that seem to come from every member of the band and more bass players than bands that only have one bass player in them. They are touring in January with Raein which has ‘tour of the year’ written all over it already!!!

4. Prawn – Ships

ships

Shortly before getting this EP I went to see Prawn play live in Folkestone, the show was beset with technical problems so much so that they ended up only being able to play 4 songs. At the time I wasn’t bothered because I’d had a great night and Prawn were still fantastic. But after getting ‘Ships’ a few weeks later I was gutted that they couldn’t play all night. The songs that make up ‘Ships’ are so incredible that hearing them live would surely constitute one of the best gigs you’re likely to ever attend. Perfect emo like a poppier Appleseed Cast, love it!!

3. Title Fight – Floral Green

floral green

Title Fight keep going from strength to strength and ‘Floral Green’ is their best record to date. Only a year after releasing their first studio album ‘Shed’ they released a record that was not only brilliant but also showed they had made great leaps forward in terms of sound and maturity. The dreamy, shoegaze magic of ‘Head in the ceiling fan’ showed a new side to Title Fight and ‘Secret Society’ proved that Title Fight can write catchy, instantly likeable grunge songs as well as anyone. Another essential record.

2. Dikembe – Broad Shoulders

broad shoulders

Dikembe are one of the best bands you’re ever likely to hear, following up the massive potential shown on last years ep ‘Chicago Bowls’ with a near perfect record of beautiful, mid paced emo. My heart melts at the first sound of Steven Gray’s voice and the guitar sound they have only heightens this sensation. I can see this album/band coming to define this current wave of emo tagged music, in a few years we’ll be looking back at it with the same fondness that we look back at, for example, ’30 degrees everywhere’ by the Promise Ring it’s that good. In any normal year it would easily win my album of the year top spot and they were only very narrowly beaten this year by…….

1. Joie De Vivre – We’re all better than this

jdv

This years first prize just has to go to Joie De Vivre with ‘We’re all better than this’ an album which I’ve very rarely not been listening to since it came out in the summer. Having split up it is unfathomable that this record could never have been made and I am so grateful that they gave it another shot. Seeing them play this summer in Brighton is one of the best shows I’ve ever been to, a brilliantly uplifting experience. Which is like what you get every time your hear ‘We’re all better than this’. An album that both boasts the best use of trumpets all year and the amazingly lovely backing vocals from Lindsay Minton (Football, etc) cannot fail to impress. A beautiful, beautiful record, well done, FIRST PRIZE!!!

Well, there you go. 2013 is already shaping up to be another incredible year that is promising new albums from Tigers Jaw, Football etc, Daylight, The Reptilian, Appleseed Cast, Jimmy Eat World and many more. I literally cannot wait. In the meantime thanks for reading and have yourself a very merry christmas xx

I’ve made an Is this thing on? best of 2012 playlist on Spotify if that’s your kind of thing, click the link below x

Is This thing on? best of 2012

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Review: Basement – Colourmeinkindness

Band – Basement

Album – Colourmeinkindness

Label – Run For Cover Records

Coming up in tonight’s review:

“Holy fucking shitballs why the hell has this band split up!!?!!?!???!”

Last year Basement released one of my favourite records of that year, ‘I wish I could stay here’. It was a solid album full of Title Fight-esque melodic hardcore that I played time and again. I also got to see them play a show in Margate which really showed me what a great band they are so when news came that Basement were going on indefinite hiatus (splitting up) I thought it was a real shame. Now that I’ve heard ‘Colourmeinkindness’ I think this news is a fucking travesty.

This record is getting me all kinds of excited. If someone had said to me that all my favourite musical sub genres (grunge, punk and emo) would someday be combined together by bands to amazing effect I would’ve wanted to believe them but known that this’ll never happen. But to my disbelief it is happening. Playing ‘Colourmeinkindness’ and I’m suddenly transported back to that 13-year-old kid who lay in bed thinking my brother was a lying cock for coming home from his paper round with the news that Kurt Cobain was dead, or to the 17-year-old sitting in my friends flat being played Sunny Day Real Estate for the first time. Times when music seemed to be all that mattered, Basement make the hairs on the back of my neck stand up and make me wanna get up and dance like an idiot the way all my best-loved bands do.

The album blasts in to life with ‘Whole’ and it’s an incredible start to the album. It shows Basement’s intentions from the start, they’re here to make a career defining rock album and they ain’t mucking about. The briefest of guitar intros quickly make way for the full band to kick in and already you’re left blown away by how loud and full on it is. What a way to start the record. The chorus makes you wish you were in front of the band in a packed venue screaming along with them and then the massive riff at the end makes you wish you were in the middle of the crowd going every kind of ape shit.

Before you know it the second song, ‘Covet’, has begun and here you have the first major nod to the early 90’s grunge sound with a song that owes a massive debt to the Pixies. Maybe it’s because I am still so in love with the music from that era but I’ve found a mass of grunge influences throughout the record. Maybe intentional or maybe I’m the only one who thinks it but here are a few examples of what I mean. ‘Spoiled’ reminds me of Alice In Chains, ‘Control’ has hints of ‘Superunknown’ style Soundgarden, ‘Black’ puts me in the mind of a sleazy early Stone Temple Pilots, ‘Comfort’ has a Yellow Ledbetter-esque intro and ‘Wish’ gives a big nod to a ‘Gish’ era Smashing Pumpkins. All of which are meant as huge compliments and all the while still retaining that Basement hardcore edge which attracted you to the band in the first place. You could hear this record a hundred times and get none of the references I just mentioned but you should be left with the same feeling. The feeling that you want to scream “Holy fucking shitballs why the hell has this band split up!!?!!?!???!” again and again until someone rings the council to make a noise pollution complaint against you.

Amongst all this you also have a couple of indie pop gems thrown in to the middle of the album. ‘Pine’ and ‘Bad Apple’ highlight a band capable of writing incredibly catchy pop songs that still never compromise on what the band is about. It’s another reason to love Basement and stops the record from becoming too much of one thing, it refreshes you so when they’re ready to unleash more 90’s inspired heaviness on you you’re more than ready.

‘Colourmeinkindness’ is a real surprise of a record. Not a surprise in the sense that Basement have made a truly brilliant album but a surprise in how they’ve done it. It at the same time feels like a unique record whilst also wearing their influences on their sleeve. Just over 10 years ago a massively exciting post hardcore band released a genre defining record called ‘Relationship of command’ and subsequently broke up before their time. Only time will tell if this record has that same impact, it could well do. I just hope that if it does that Basement don’t reform in 10 years time to headline Reading and appear like ghosts of their former selves. But, sod it, if they do I’ll be there singing along.

I love this record so much I’ve paid actual money TWICE for it. Downloaded from the Run for cover bandcamp page HERE.

And bought it on vinyl from Banquet Records HERE.

Basement play 2 final shows but they sold out quicker than I could say ‘ah, I’d quite like to go to that’

November 16 – Leeds – The Well

November 17 – Camden London – The Underworld

Thanks very much for reading. xx

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Review: Title Fight – Floral Green

Band – Title Fight

Album – Floral Green

Label – Side One Dummy

Shouldn’t it be impossible to make a fresh sounding punk rock album in 2012? Hasn’t it all been done already? The fact that Green Day are releasing a triple album, having a paddy onstage and judging the Voice (?!?) you’d think that punk was a dead duck having been stripped bare and laid to rest many years ago. But yet, here come Title Fight to get you back in check. Punk rock is alive and well as long as you are looking in the right places.

Having taken forever to release their first full length studio album, ‘Shed’, they are back just one year later with their second, ‘Floral Green’. It’s a big ask to follow-up what was one of my favourite albums of last year but Title Fight are more than up to it. ‘Floral Green’ can even be seen as a huge step forward, Title Fight have taken the energy and excitement of ‘Shed’ and added a maturity to their sound which makes for a more diverse and extraordinary record.

The album blasts in to life with the incredible opener,’Numb, but I still feel it’, which builds up and fires in to 3 minutes of trademark Title Fight punk excellence. The next 2 songs, ‘Leaf’ and ‘Like a ritual’, continue in this vein taking us to ‘Secret Society’ which is definitely a standout track on the first listen of the album. It’s a straightforward and catchy as hell pop hit with its massive, rumbling, overdriven bass and huge chorus. It’s a nice setup for what comes next, ‘Head in the ceiling fan’ is a song that couldn’t be more different but one that has grown to be my favourite on the record. It’s slow, melancholic and utterly gorgeous and presents a shift in the album. This is the moment you realise how much Title Fight have progressed in the short time since ‘Shed’, it adds another element to the band without taking anything away. It kind of makes them seem more grown up without seeming any older, if that makes sense. I hate using this as a description because it can be taken the wrong way but it also introduces a bit of grunge to their emo tinged punk rock, I hope you get what I mean.

After ‘Head in the ceiling fan’ you feel a shift in the record, the song makes you see the rest of the record in a different light. You know now that what you are listening to is a classic record in the making and Title Fight don’t put a foot wrong. ‘Make you cry’ and ‘Sympathy’ hit out at you and make a lasting impression, ‘Calloused’ has a Nirvana-esque chorus which will always get me on side and ‘Frown’ is a certain contender for song of the record/year with the simplest yet best of guitar lines over the intro and chorus. When the album is brought to a close by another 2 really strong songs, ‘Lefty’ and ‘In-between’, you are left gagging for more. Especially because ‘In-between’ finishes with no rock star ending, no big stadium finish, it just ends and makes you shout “Holy shit, I must put this record on again!!!”.

‘Floral Green’ is one of the most completely brilliant albums of the year and one which I seriously cannot fault. Some of the songs may take longer to grow on you than others but given just a few listens you get over this. There is so much to enjoy like the added ‘shoegaze’ moments which were totally unexpected. If Title Fight keep this quality up then, in a few years, I can see them being viewed in the same way Hot Water Music are now. Everyone’s favourite scene heavyweights if you know what I mean. Go and enjoy the record now!!!

Click here to go to the Title Fight website.

Cheers for reading, any feedback is most appreciated.

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Review: Daylight – The Difference In Good And Bad Dreams EP

Band – Daylight

EP – The difference in good and bad dreams

Label – Run For Cover Records

My first, actual, music purchase of 2012 is this, the new EP from Daylight. So, I could be cheeky and say that this is the best release of 2012 (which currently it technically is), or I could just be honest and say it’s rather bloody good, which it also is.

Daylight were one of the few bands that I got to see play live in 2011 when they visited our sunny seaside town of Margate on their UK tour with Hostage Calm. They were on great form that night so it’s a pleasure to get hold of some new material. ‘The difference in good and bad dreams’ is 4 tracks long, it is the bands third EP and is a precursor to a debut full length album which is expected later this year.

Building on the groundwork laid out on their previous EPs, this feels like a definite step forward. The sound is brilliant here, really thick and dirty guitars over a solid, galloping rhythm section. I’ve noticed elsewhere a lot of comparisons being made with Title Fight, which is understandable for the new wave of pop punk aspect but they are a lot darker than Title Fight. Although catchy and memorable, they songs have pain and misery seeping throughout the 4 songs. They also have elements of grunge to their sound, which has a similarity to Balance and Composure, but not in any obvious kind of way. Although it’s hard to describe how a grunge influence could be subtle, I suppose you could say that there is an essence of grunge. You could also describe it as an emo grunge but all this would do a disservice to what is a great EP.

‘The difference in good and bad dreams’ is a solid, personal, honest and exciting punk rock record which is passionately delivered. It powers through from the opening angst ridden song ‘On the way to Dads’, to the slower paced finisher ‘In my dreams’ staying intense all the way.

My appetite for a full length Daylight LP is now fully whetted, very exciting to think it may be here within the calendar year. Until then this will saty on heavy rotation. Daylight are touring throughout Europe in March and April, if you get the chance then go!!

You can buy the EP now as a digital download from the Run For Cover Bandcamp site, go there now by clicking HERE

As always, cheers guys.

Below is the video for ‘Damp’, the third track from the EP (check out how seriously awesome their drummers beard is!)

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The 10 best records of 2011 (according to me)

2011 has been a very weird year!

If you’ve watched the news for more than 10 seconds at any given point during the last 12 months then you will be of the opinion that the world is ruined. What we need in these times is something to distract our worried minds, after all ignorance is indeed bliss. So, luckily, it’s been a very good year music wise. There have been so many amazing bands making amazing music that I’ve fallen behind and am still playing catch up.

This is a list of the 10 records released this year that have meant the most to me.

10 – Basement – I Wish I Could Stay Here

My favourite British band of this year and one of the only bands I actually got to see live in 2011, Basement, represent all that is good about underground music. Working towards a hardcore DIY ethic, making honest music and getting out, playing live with no hidden agenda. They released their debut full length ‘I wish I could stay here’ during the summer on Run For Cover records and it’s 10 tracks of brilliant, heartfelt post hardcore.

Click HERE to go to their site

9 – Polar Bear Club – Clash Battle Guilt Pride

Polar Bear Club brought a maturity to their sound and songwriting on this peach of an album. Still keeping the rawness of their previous output, ‘Clash Battle Guilt Pride’ saw the band come into their own. Instantly likeable, heart on their sleeve punk rock. And Jimmy Stadt has just about one of the best voices in rock and roll right now.

Click HERE to go their myspace page

8 – Touché Amoré – Parting the sea between brightness and me

‘Parting the sea….’ is 13 tracks of superb hardcore compacted in to 22 minutes. There is no messing about here, they had a job to do and they got that job done. Intense, precise, raw and powerful. A very good friend of mine, Paul (who also blogs HERE), recently stated that “Hardcore needs more hooks”. I do completely agree with that but you can definately find hooks, melody and more on this brilliant record. Touché Amoré do a brilliant job of mixing the quiet with the loud while at no point losing any of their power. 22 minutes of joy!!

Click HERE to go to their website

7 – Wavelets – Athaletics

I keep returning to this album time and time again. It’s deliciously warm charm has dug it’s claws deep into me. The songs are intricately complex and uplifting in equal measure. Embracing the indie emo sound from the late 90’s and with a perfectly lo-fi production this record sets itself apart from the over produced, copycat bands that claim to be from the same scene. And with song titles like ‘We’re really jazzed about the gig’ and ‘Bad scene, Jawbreakers fault’, how could you resist? Also has my favourite cover artwork of this year too.

Click HERE to go to their bandcamp page

6 – I am the avalanche – Avalanche United

Not many bands could leave SIX years between releasing their first and second albums and get away with it. IATA have pulled it off though, and with good reason. ‘Avalanche United’ is everything a good pop punk album should be, loud, in you face and catchy as hell. I was surprised how good an album this was, I didn’t think it would better the first album which has been on the stereo in our house consistently over the last 6 years, but that it did. They certainly deserve the adulation they receive just maybe don’t leave us hanging so long next time, huh??

Click HERE to go to their myspace

5 – Defeater – Empty Days & Sleepless nights

Defeater are setting the bar for modern hardcore bands. Environmentally conscious and socially aware, they are trying something different and succeeding. ‘Empty days & Sleepless nights’ continues with their narrative concept that begun with their debut album ‘Travels’. They back this up with brutally brilliant and infectious hardcore/post hardcore/screamo or whatever it is that describes them best. Fucking awesome is probably the best description I can give.

4 – Title Fight -Shed

Title Fight have been touring the UK recently and I am completely gutted that i’ve missed out. Their debut album, ‘Shed’, is a lesson in how fresh, honest and amazing pop punk can sound. Produced by the legend that is Walter Schreifels (Rival Schools, Quicksand, Gorilla Biscuits), this is 12 punchy tracks delivered at pace with brilliantly delivered, almost screamed vocals. Watching them on youtube, they seem to stir up a stagediving frenzy every time they play live, so here’s hoping that they return to these shores sooner rather than later.

3 – Algernon Cadwallader – Parrot Flies

If I ever feel down in the dumps and it happens, this year has been hard at times, I know that if I reach for this record a smile on my face won’t be long in coming. There is something in the sound and the way that they play that brings me much pleasure, they manage to out Cap’n Jazz as the kings of Cap’n Jazz style emo pop. Not that they sound the same as other bands, they manage to bring originality and joy to the scene. Perfect indie fare that also brings to mind Built to Spill and Pavement in places. Especially at the end of the first track, ‘Springing Leaks’, when it tails off into the most gorgeous guitar solo that evokes summer like no other band could.

Click HERE to go and listen at bandcamp

2 – Transit – Listen & Forgive

Transit win the 2011 award for “Album I’ve most embarrassed myself by singing along very loudly in my car to!!!”. It’s not a very prestigious title but it’s definitely an amazing record. How could you put it on and not sing along? It’s hit after hit of Pop punk goodness but with a healthy 90’s emo leaning. The Get Up Kids must’ve listened to this record and wished they could still make them as good.
They were also on the tour with Title Fight in the UK recently and by all accounts were completely amazing, so that’s more reason for me to damn my stupid back to hell. I’ll just have to console myself with another hearty singalong.

1 – Pianos become the teeth – The Lack Long After

If you’ve been a regular reader of this blog, and if you have can I just take this opportunity to say “wow, thanks and you have my pity x”, then it will come as no surprise that I have chosen ‘The lack long after’ as the best record of 2011. Pianos Become The Teeth are my current favourite band in the world and this album, to me, is an instant classic. Genuinely affecting and at times exhausting to listen to, this album stands head and shoulders above the rest this year. It is dark and heavy but also beautiful, Kyle Durfey has a voice full of pain and anguish that manages to be both powerful and fragile, sometimes even in the same song. Essential music that I can whole heartedly reccomend to anyone.

So, have I got it right? What do you think are the best records of 2011? What am I missing? Let me know.
Cheers xx

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