Tag Archives: football etc

TheLastWordIsRejoice: A Tribute To Mineral

You can’t possibly have missed the fact that Mineral are BACK and playing live again. Even though I bought my first Mineral album 15 years ago, I, like many other fans desperately excited to see them play live, had gotten into them when it was too late. They had already broken up by that point. In 1999 I completely fell in love with Mineral. I took the train on my own to London at some time that year with a weeks wages in my pocket with the sole purpose to find CDs I couldn’t find locally, I found ‘EndSerenading’ in the alternative section of Tower Records in Piccadilly Circus. I had heard of them but had never actually heard them, that was until the train ride home when I unwrapped the case, put the cd in my discman, put my headphones on, pressed play and shut my eyes. I was totally sold from the first note plucked on the guitar. ‘EndSerenading’ became one of my favourite records of all time, with ‘&Serenading’ my favourite song. It was hard, at the time, to find out much information about the band, the cover sleeve gave nothing away and I was gutted to find out from friends that they had split up already.
At the age of 19 I never would have believed you if you had told me that at age 34 I would have tickets to see them play, and yet here I am aged 34 with tickets to see them play live twice next February (February!! How perfect is that?) when they come to the UK for the first time ever.

I wanted to do something on the blog as a tribute to this legendary band and try and share with them the outpouring of love that has emanated since their reunion. This is a collection of writing containing the memories and feelings towards the band from friends, fellow blog writers, musicians and label owners.

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Tom Mullen (Washed Up Emo)

I was introduced to Mineral thanks to a giveaway bin at the college radio station my freshman year. My first week I had signed up for a show and went to hang with the music director to find out what he was into and talk about the hardcore show I wanted to do. During that meeting, there was a box in his office that was labeled for giveaway. I caught out of the corner of my eye “Static Prevails” on vinyl and perked up to ask if I could pick through it. He said, by all means, that stuff was going to be given out at the next radio station meeting. In that box, among a treasure trove of emo goodness, was the first Mineral album. I was floored by this album and still are to this day. I never saw the band as I missed a show they played near my college by a month or two back when message boards and flyers were the way to promote a show. This band always left before saying goodbye and now we’re lucky enough to be around to see this band come back and play for those that never got to see them. Mineral may have been typecast into the emo genre, but if it’s a band people mention every time, I won’t be mad. They’re the true definition of the loud/soft, heartfelt and loud sound I miss when most of the “emo revival” is derived from the midwest. Mineral’s impact and influence will still be intact regardless of this tour and what’s next. It’s right for them to reform, so it should be right for us to show respect to a band that for many thought would never reunite. For myself, I’ll be screaming along right next to you and smiling every second.

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Oliver Craven (Crash Of Rhinos)

I’m not usually the guy from our band that does this sort of thing, but when asked to write a few words about Mineral I felt I had to. Through my teens, twenties and now into my thirties, they probably mean more to me now than even then.

A lot of people have come and gone in the time since I first heard Mineral. Family, friends, girlfriends, bands.
leaving school in 1999 and wanting to do nothing else except smash the fuck out of a drum kit and skate, I ended up meeting like-minded people through record shops and rock clubs.
I’m still close friends with most of these people now. Four of them were in Crash of Rhinos. It didn’t seem to matter back then that none of us really gave a shit about much else except jamming and skating. There’s a sense of freedom from that age that you don’t really get again. Mineral was the soundtrack to pretty much all of it.

Times like that are rare, bands like Mineral are rare, and kinda should be.
Makes it all the better.

A lot of those people will be back together for the first time in a long time the night Mineral play Nottingham in February. We’ve all changed a fair bit over the years, but I’m pretty confident as soon as Scott McCarver plugs in and the feedback starts wailing, it’s not gonna seem like it.

Favourite song then: A Letter
Favourite song now: A Letter

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Lindsay Minton (Football, Etc)

I’m not totally sure, but I think I found out about Mineral on a message board the summer before I started high school. The song “Slower” became my anthem of the next 4 years. I somehow managed to put Zookeeper on in a basement in New Brunswick in 2007. Not only was Chris Simpson in the room, but also Kyle Fischer from Rainer Maria (playing lapsteel in the band Balthrop, Alabama). What an impact playing a show with my two biggest influences was for me…
Last Friday, I saw Mineral play their first show in 16 years. It was a smallish venue (capacity at 180). It’s kind of hard to describe it– but it was perfect. A bunch of mid-twenty to thirty-somethings standing around with their arms crossed, singing along to themselves. Hearing Mineral come from the stage, instead of the various sets of speakers and headphones I have heard them from over the years was absolutely refreshing. It was something my 14-year-old self never thought I’d be able to experience.

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Glen Bushell (Punktastic)

I was a bit of a latecomer to Mineral if I’m honest. I only cared about punk, grunge and metal pre-2000, until I saw At The Drive-In at Reading 2000 and it changed my life forever and opened my world up to a whole new area of music. After that I started to go to emo and hardcore shows in Margate and Canterbury, and I picked up the Mineral/Jimmy Eat World/Sense field split because I had just started getting into Jimmy Eat World, and I really enjoyed Mineral’s cover of Crazy. I picked up Endserenading after that, and it blew my mind. It was raw, impassioned, and very honest. It embodied every feeling I was going through turning from a teenager into an adult. From then on I forever compared every emo band to them, and even now in my 30’s when I need to find solace in a record, Endserenading, and also Power Of Failing are still my go to records. Finally getting to see them in the UK next year will be the end result of 15 years waiting and wishing to see them, and I’ll be honest, I may shed a tear or two with no shame during Walking To Winter, which is still my favourite song.

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Frank Turner (Kneejerk/Million Dead/Mongol Horde/Frank turner)

I first heard Mineral rifling through a friend’s record collection in 1998 or so, about a year after they broke up. I fell in love pretty quickly, and they became one of my foundational bands musically – I think I subconsciously still try to write and sing like Chris, and the production is pretty perfect for me as well. When I found out they were reuniting this year I lost my mind, booked my flights, and ended up playing an opening slot at the Brooklyn show, which was a dream come true.

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Ray Harkins (100 words or less podcast)

My exposure to Mineral was a complete blur. When you are 16 years old and shoving a bunch of music in your head, it’s hard to discern exactly when/where you heard something but Mineral immediately stuck out. I had begun the process of accepting that “non-screaming” music was okay and I was allowed to listen to it after my initial punk & hardcore blitzkrieg. “Gloria” was placed on the stereo by the guitarist of my band at the time and it was loud, fast but had these things that I later called “dynamics” that I wasn’t used to. It felt good to have a moment to reflect on the song, while it was still going on. This was 1996 and ever since that small exposure, Mineral loomed large in my life. I do remember that I specifically ordered the LP because I had HEARD that it included a lyric sheet (which the CD version did not). I was ecstatic to receive the LP (before I was a full fledged collector) and poured over the lyrics all night. Long live Mineral.

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Paul Waller (OHHMS)

I don’t remember how I came across Mineral but I do know that I was listening to Sunny Day Real Estate, Boy Sets Fire and the UK’s very own Sunfactor and Spy Vs Spy before I got wind of them. Somewhere along a very fuzzy line I had bought ‘End Serenading’ and just fell in love with it straight away. My initial reaction was that I really dug the vocals. It was slow to mid paced pop music with this askew melancholic edge that kept pulling me in. But that voice, this guy was so obviously upset about something… I don’t know his name and I don’t need to but that singer guy, he was the real deal, he had almost as great a voice as Jeremy Enigk from SDRE but there was far more passion in the vocal delivery. I wanted to give him a cuddle.

A big plus with ‘End Serenading’ was that the bass lines were pretty easy to learn. I remember spending a night on my own figuring out each song track by track until I could play all of side one and then doing the same for the flip side. Don’t know why I did that. I’m not a bass player, but if I could do it then anyone could.

Every now and again somebody asks me what I think of their first album? They say it’s better, harder, even more emo. Well, I do have a copy of it but I never listen to it. The front cover is so awful that I refuse to give it a chance. If a band is going to take so little care about the way in which they present a record then I dread to think what the actual music is like.

‘End Serenading’ is the only emo album I still regularly listen to.

I can’t wait to see them play some of it live next year.

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Lewie Peckham (Bearded magazine/Is this thing on?)

I first heard Mineral through a Pop Unknown track on the second Emo Diaries compilation ‘A Million Miles Away’ (those titles) in ’98 and the sombre pace of ‘Writing it Down For You’ reminded me of Red House Painters (A favourite at the time and pretty much still to this day). I saw that Pop Unknown had ‘Ex-members of Mineral’ printed in the little catalog you got with every Deep Elm release and took a chance on a mail ordered copy of The Power of Falling and was hooked from the opening notes of ‘Five, Eight and Ten’ and by the time ‘Parking Lot’ faded out in a screech of feedback i was a devoted wreck and i still am 16 years later.

I can never listen to Mineral in the summer. Much like American Football I know when to break out The Power of Falling and EndSerenading and it’s not during July and august, save that for Something to Write Home About and Clarity. When that first hint of autumn hits you, be it a slight chill in the air that stays there all day or a walk through a park with its grass obscured by fallen brown leaves. That’s when you can find Mineral filling my ears, their songs tightly held in place by my headphones and just for me only, an exclusive club for one.

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Kristy Diaz (www.recordnotcommodity.co.uk)

When The Power of Failing was recorded in 1995, I lived in Austin, TX. Just 11 miles away from Music Lane Recording Studios, in fact. However, the first time I heard that record, like many Mineral fans I imagine, was around 10 years after its release. I mean, it’s probably for the best, I wouldn’t have ‘got’ it when I was 8. My main concern was looking for snakes in the front yard.
I don’t recall anyone introducing me to them, but I was listening to a lot of Sunny Day Real Estate that year so I guess it was just association. I have a bias toward the urgency and imperfection that comes with a band’s first record, so whilst EndSerenading was great in its own right, The Power of Failing was, and still is, my favourite. In terms of highlights, it would be hard not to mention the guitars in If I Could and the intro to Take The Picture Now, but, perhaps predictably, Gloria always stood out.
To be a dick and choose a song that they didn’t actually write as a favourite, I was always super into their cover of Crazy, from the split 7” with Jimmy Eat World and Sense Field. The guitars are interchangeably gorgeous and infuriating, but mostly I love it because it’s a bit silly, too.

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Kevin Duquette (Topshelf Records)

My earliest Mineral-related memory is having a bunch of records recommended to me after I had just recently discovered toe, Pele, Jimmy Eat World and American Football in high school. Mineral was in that bunch and I never quite made it to listening to it because — as a designer — I thought the album cover art was pretty awful (“The Power of Failing”) and chose to try many of the others first, eventually forgetting that one altogether. I went on a road trip that summer and a friend was DJing from the passenger seat, playing their albums over the car speakers. I eventually asked what it was we were listening to and realized I’d overlooked a pretty important band. I quickly remedied that when we got home.

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Morten Andre Samdal (Youth Pictures Of Florence Henderson)

I grew up being a skatepunkdude in the mid 90s (still am!), and me and my friends had this band. While the others listened to mostly fast punkrock, I looked for something a bit different. I tried my way through britpop, grunge and some other straight forward rock bands, but nothing really hit as hard as the fast paced melodic punkrock I loved. Not until I bought a bunch of records, with bands like Hot Water Music, Mineral, Alkaline Trio, Christie Front Drive and Jimmy Eat World, if I remember it correctly. Mineral was life changing. The record I first got was The Power of failing, and it hit me in the guts. The tender melodies wrapped in distorted raw guitars, and the way Chris Simpson dragged the words much longer than I ever thought was possible – I’d never heard anything like it. I got the other guys in the band to give it a listen, but they just laughed and said it was music for pussies. Not long after my band parted ways, and I started an emo-band. Mostly because of Mineral, I guess!
While bands like JEW, HWM and Alkaline Trio just got worse and worse over the years, Mineral and CFD were smart and disbanded, like a real emo band should do 😉 To this day, these two are my favourite 2nd generation emo bands, and I still listen to them regularly. I am so coming to London in February (hope they play that song).

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James Benwell (Fan)

I found Mineral through The Gloria Record and I found TGR through the guy working downstairs at Tempest Records (R.I.P) in Birmingham. It’s been a 15 year love affair that hasn’t faded. The rawness of The Power of Failing still sounds as visceral as ever and EndSerenading became the soundtrack to my winter nights, and made me wish it was winter the rest of the year round.
They’ve always touched a chord lyrically. Stories of love, the beauty in the world around us, and then songs like MD, perhaps a precursor to the likes of the latest Empire! Empire! album; so personal, so simple, yet so heart wrenchingly beautiful when told over a soundtrack that can make you feel like you want to tell everyone you know that you love them, or to fall in love just so you can find some words of your own.
I never thanked the guy at Tempest, I wish that I had. He’s the reason that I’m not deaf at 31 to the sound of the greatest band that i’ll ever got to hear.

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Gary Sleith (Good post day records)

I first heard Mineral thanks to the (Don’t Forget To) Breathe compilation CD. I bought it from Amazon, and at the time I was heavily into a few of the bands on it, bands like Promise Ring, Knapsack, Hot Water Music & Fireside, but I had never heard of Mineral. For me, their track on the record, ‘Rubber Legs’ was a real Jerry Maguire ‘You had me at hello’ moment…5 seconds in I was hooked and by the time Chris Simpson sings “your boy is all alone tonight but i will never forget how you taught me to stand on these rubber legs and fight.” at the end I was head over heels. I bought EndSerenading online immediately and connected with it in a way that I had only done with one record up to that point; Clarity. My favourite song on it initially was ForIvadell but when I listen to it today, I’m always blown away by &Serenading(probably the influence of Alex!) but if I had to pick a favourite Mineral song, I would have to go with ‘February’ from their self-titled 7”. For me, that track perfectly encapsulates Mineral despite being perhaps one of their, for want of a better word, “heavier” tracks and to this day I use it as a benchmark for truly great emo music, up there with songs like ‘E. Texas Avenue’ ‘For Me This Is Heaven’ & ‘Never Meant’

Thank you so much for reading xx

Contact us: http://www.facebook.com/isthisthingonblog, ittoblog@gmail.com, twitter @alex_itto @BonersaurJR

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IS THIS THING ON’S TOP 20 RECORDS OF 2013 PART 2 (No’s 10-1)

Previously on ‘Is this thing on?’s top 20 records of 2013:

20 – Tancred – S/T
19 – Pity Sex – Feast Of Love
18 – Touché Amoré – Is Survived By
17 – Wild Moth – Over, Again
16 – Dowsing – I Don’t Even Care Anymore
15 – Sed Non Satiata – Mappô
14 – State Faults – Resonate/Desperate
13 – Placeholder – I Don’t Need Forgiveness
12 – The World Is A Beautiful Place & I Am No Longer Afraid To Die – Whenever, If Ever
11 – Nai Harvest – Whatever

To read more on no’s 20 to 11 click HERE

So, as promised, here is the top ten. Thanks so much for reading and sharing and everything this year, it’s been awesome!!!!

10 – Brave Bird – Maybe You, No One Else Worth It

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This album seemed to come out so long ago that I had to check it was definitely eligible for this list. One of the early indicators that 2013 was going to be another superb year for good music, this album is full of top quality emo noodling and more hooks than a fishing tackle shop.

9 – California X – California X

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I spent an evening in the summer browsing through the ‘related artists’ section on spotify looking for something I may have missed and stumbled across California X. A couple of days later my best friend is sat in my lounge telling me that they’re playing in Canterbury a week later, a very happy coincidence indeed because that show was amazing. They well and truly blew us all away and the album has become a firm favourite ever since. Summery grunge with massive riffs giving some credibility to a drop d tuning!!

8 – Lemuria – The Distance Is So Big

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A mark, for me, of how catchy a record is is if, after a couple of hours of playing it, my kids are still singing along. And that happened a lot with this brilliant album by Lemuria. I was a big fan of their last album but I think they excelled themselves with ‘The Distance Is So Big’, indie emo rock of the highest quality.

7 – Reiziger – Kodiak Station

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Just when I thought the whole ‘reunion’ thing had peaked one of my favourite 90’s emo bands returned and with a new album to boot. It had never occurred to me that Reiziger might make new music, I was so excited to get ‘Kodiak Station’ and even more excited to find out that it’s really, really good. It may sound a million miles from the ‘Don’t Bind My Hands’ EP but it is unmistakably Reiziger, now with a more polished production to their discordant, indie gems.

6 – Joanna Gruesome – Weird Sister

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‘Weird Sister’ is raw, lo-fi, indie punk at its best care of Cardiff’s finest, the brilliantly named, Joanna Gruesome. This is a debut album that marks the band out as one of the most exciting new bands to come out of the UK this year, I’m still gutted that I had to leave ‘About Time 2’ before they came on because I bet they’re awesome live.

5 – State Lines – For The Boats

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If it’s quality songwriting and anthem after anthem that you’re after then look no further than State Lines. A nod to ‘Smells Like Teen Spirit’ here, a fantastic Hip Hop intro there and a whole record packed full of straight up, indie punk rock with vocals delivered like an emo Tim Armstrong are what you’ll find on ‘For The Boats’. And trust me when I say that you’ll want to listen to this record time and time again!!!

4 – Appleseed Cast – Illumination Ritual

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After all these years an Appleseed Cast record is always something to get hyped up about and all the more so when the record is as good as ‘Illumination Ritual’. The current line up have injected energy and a new creativity to the band, making a memorable record with plenty to enjoy. Seeing them play most of these songs live, back in October, also heightened my love for this record too. They were brilliant, if you used to love this band and haven’t thought to check this album out yet, what the hell are you waiting for?? Do it now!!

3 – Football, Etc. – Audible

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Football, Etc spoil us rotten, not only do they tour the UK with admirable regularity, they also release music of the highest quality on a very consistent basis. I love their last record, ‘The Draft’, but ‘Audible’ certainly feels like a step up. It seems like they’ve got a new found confidence as a band now which has increased the quality of the songwriting and delivery. ‘Audible’ comes across as a band that are having immense amounts of fun playing as a complete unit, Football, Etc have definitely found their feet. Amazing stuff!!

2 – Foxing – The Albatross

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I did try to review ‘The Albatross’ a few weeks back but ended up going out on a more personal tangent (you can read that by clicking HERE) so I should probably say some more things about the record here. But what else is there to say apart from the fact that ‘The Albatross’ is an earth shatteringly beautiful album that will take you on an exhausting journey through a range of emotions but still leaves you wanting more. I can’t think of another band that has made such an impact on this emo scene in such a short space of time as Foxing have, they thoroughly deserve all the plaudits and I had thought that no other band would come close to usurping my number one album this year but with ‘The Albatross’, Foxing came damn close to doing just that. Absolutely incredible.

1 – Crash Of Rhinos – Knots

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If you’ve read this blog or spoken to me this year at all then it’ll come as no surprise to you that Crash Of Rhinos genius record, ‘Knots’, is my album of the year for 2013. This is the record that I’ve been waiting years for, the kind of record I had thought would never be made again, emo/post hardcore at its incredible best. Crash Of Rhinos make no point of trying to hide their influences but manage to push things forward to make, what is not, an album that is trying to revive the past but a completely modern and relevant emo record. ‘Knots’ is five accomplished musicians at the very top of their game coming together to make magic. To top things off they’re also a brilliant live band, they really can do no wrong. If for some reason you haven’t heard this record yet the click HERE to go to their bandcamp page where ‘Knots’ is currently available for free, you have no excuse and you definitely will not be disappointed. WELL DONE CRASH OF RHINOS, YOU’RE NUMBER ONE!!!!

Thanks for reading!! Get in touch here or on Facebook http://www.facebook.com/isthisthingonblog, on twitter @alex_itto or email ittoblog@gmail.com

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REVIEW: FOOTBALL, ETC. – AUDIBLE

Band – Football, etc.

Album – Audible

Label – Strictly No Capital Letters/Count Your Lucky Stars

The reason I started this blog was to say really nice things about new bands that I’ve fallen in love with. After years without finding any new bands that I felt a connection with all of a sudden there were a plethora of new bands that were exactly my cup of tea, so much so in fact that I can barely keep up. One of these bands are Football, etc. Over the last couple of years I’ve said plenty of overly lovely things about these guys and at the risk of becoming a Football, etc bore I’m about to say plenty more. But hey, these guys deserve it.

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People say second albums are tricky, I’d say they’re wrong as there’s an endless list of 2nd albums that are better than the debut and its 4th or 5th albums that are the tricky ones. If Football, etc found making ‘Audible’, the follow up to their superb debut LP ‘The Draft’ tricky then they’re making a damn good job of hiding it because ‘Audible’ is brilliant. And brilliant in the instantly likeable sense. Football, etc aren’t gonna make you work to like their record, it won’t require time to grown on you or you won’t have to revisit it in months to come to give it another chance. Just put it on and from that first listen you’ll be sold.

One thing that leaped straight out at me from the first time I listened is just how confident the record is. The way it sounds, the vocals and the way the band play together are all examples of a band that clearly know what they’re doing and know exactly how to put it across. This probably sounds a bit weird but Football, etc seem more of a band on this record. I think the addition of new drummer Edward Reisner has made a great difference because the rhythm section are now providing a great backbone to their already brilliant songwriting skills. The interplay between Ed and Mercy Harper on the bass VI really bring the album to life. I think also that one of the biggest reasons ‘Audible’ sounds so confident is how incredible Lindsay Minton’s voice sounds. Her vocal style used to remind me of Jeremy Enigk, which I guess it still does a bit in certain places, but now there is a great clarity in the way she sings. Her voice is high in the mix, it grabs your attention and invites you to sing along to every word. It really is Indie pop singing at its best. Also, it doesn’t hurt that they had somewhat of an emo legend in producer Ed Rose at the helm. The man behind the mixing desk for some of your favourite records (Low Level Owl!!!!!!!) has clearly captured Football, Etc at their best.

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Although none of the songs on ‘Audible’ will replace the mighty ‘Safety’ as my favourite Football, Etc song I think the overall quality of the songs are better on this record. The album really zips along and shows a greater depth in their songwriting ability. There are moments of classic emo, infectious pop songs, love songs about crossing the pond and moments where Sleater-Kinney comparisons could be drawn, all packed in to the 11 songs on display here. It also feels like a complete album, rather than a bunch of songs put together. Each one fits perfectly in its place, making the album flow so well that you must hear it all the way through from start to finish every time you put it on.

It’s hard to think of a band that plays this type of music as well as Football, etc. They are the ultimate indie emo band currently playing. And although ‘Audible’ sounds and feels different to their earlier out it’s still unmistakably Football, Etc and undeniably good. Go buy it now!!

You can purchase ‘Audible’ in the UK from Strictly No Capital Letters HERE. Or stream/download it from bandcamp HERE.

Thanks for reading. As always come say hi here, or on Facebook http://www.facebook.com/isthisthingonblog or on twitter @alex_itto

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27.07.2013 A GOOD DAY TO BE ‘MO

Some days are just destined to be perfect, where everything comes together completely as it should and leaves you feeling as high as a kite about how wonderful life can sometimes be. Some days will stay with you forever, days you’ll find yourself on a dull, wet afternoon in the future daydreaming about, wishing you could be back there. On paper the 27th of July 2013 looked pretty damn good, in reality it was fucking incredible.

Everyone knows how much I love Football, Etc, last year I drove down to Brighton to see them play with Joie De Vivre and was blown away. A few months ago I was lucky enough to interview them for this blog and asked them about future UK tour plans. After we spoke I looked up the dates to make sure I could go and, as luck would have it, realised they were playing London on the 27th of July. My birthday! Yes!! I punched the air with joy at the thought of spending my birthday in London watching one of my favourite bands.

Going to this show was set in stone until a couple of weeks later Braid decided to throw a spanner in the works. I had seen that there was a campaign to get Braid to play in the UK and now it was actually going to happen and happen it was on the 27th of July!! Dilemma time, do I travel to London and spend my birthday watching one of my current favourite bands for the 2nd time or do I go and see one of the most legendary emo bands of all time for the first time playing an absolute classic album in its entirety??? Luckily in the end this was a decision I never had to make thanks to some genius thinking by Tommy/Zine and not heard who were putting on the Football, Etc. show. After an initial idea of making that show a Braid after party it was announced that the Football, Etc show was going to be a matinée and would finish before the Braid show started. And not only that it was going to be in the Buffalo Bar, a venue directly opposite the Garage where Braid were playing. Phew!

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The day finally arrived and after a morning of being spoilt by my wife and kids with a cooked breakfast and a stack of new records I set off on the train to London. Since I started this blog I have made some really good friends on twitter/Facebook etc.. with some lovely, like-minded folk who are all as nuts about emo as I am. My kid, Louis, refers to these people as my ‘e-friends’ and it was them I was going to be spending this day with. Turns out not everyone you meet online is a crazy psycho-sex pest like my mum always warned me they would be, in fact they were really bloody amazing people. We met up, shook hands, acknowledged how extremely hot it was in that there London and off we went for a whole day of ‘mo.

We turned up to the Buffalo Bar just in time to catch the last few moments of Wrestling, a shame really as the seemed really good. Next on were Doe, who despite the setback of having to spend most of their set restringing a guitar whilst listing their favourite paedophiles (you had to be there), played an enjoyable set of grunge pop. The show really kicked in to gear when the next band, Plaids, took to the stage. I was very excited to see this band, I’d heard that they were great live and I was already a fan of their recorded output so in my mind they couldn’t fail and fail they did not. Plaids bring it like any great punk band should, an abundance of energy and quality post-hardcore that really drew the crowd in, which by this time had swollen in size to pack the venue out. Plaids seem to tour a lot so I would highly recommend taking any chance to catch one of their shows.

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By the time Football, Etc took to the stage the venue must’ve been at capacity, I’m judging this by the fact that there were people crowded all the way up the stairs that lead in to the venue and the almost unbearable heat that came from being near the front. The reception they got was every bit as warm and was thoroughly deserved. Football, etc are the definitive indie emo band, a band who seemed to bring with them a new confidence that made them an even better live band than what they were last year. Maybe it was the addition of a new drummer or just the knowledge that they were on the verge of releasing a brilliant new album (an album which I will get round to writing about very soon), that was giving them this air of confidence. Usually a band who plays mainly new material that the majority of the crowd would be unfamiliar with would have a hard time getting the crowd on their side but this didn’t seem to be a problem at all. The fact they looked genuinely happy to be here and even played a song that stated this to be true made it impossible not to love their short but very excellent set. This first show of the day came to an end with Football, etc playing the mighty ‘Safety’. ‘Safety’ is one of the best songs of the last 5 years and live it takes on a whole new life of its own. The reaction from everyone present made the hair on my neck stand tall, the whole place was filled with the noise of a crowd singing in unison to not only the lyrics but also the opening guitar melody. Things got even better when Tommy Royds stormed the stage and gave Mercy from the band no option at all but to partake in some crowd surfing, Bass VI in hand, she was held aloft as the song was coming to its amazing climax and with that the show was finished leaving everyone in attendance suitably blown away.

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This would normally be enough for one day, but after a short break for some dinner we were in line at the Garage ready for the 2nd show of the day to begin. Once in and after eyeing up some more merch we made our way to the front ready to be blown away all over again. Up first on this 2nd show were a band that I’ve spent many an hour writing obscenely nice things about on this blog, Crash Of Rhino’s. If you haven’t read my review of Crash of Rhino’s new album then let me summarise by saying that I pretty much proclaimed it to be the best album of the last 10 years, a statement I still stand by. I had never seen them play live and I was probably more excited than a kid on Christmas morning as I stood waiting for them to come on, when they arrived and started playing ‘Everything Is’ quickly followed by ‘Interiors’ I realised that this was better than Christmas. I was watching one of the best bands this genre we call emo has ever produced and they were absolutely killing it. Crash of Rhino’s are a uniquely special and supremely talented band, they sounded incredibly huge that night and the joy of watching them play, swap instruments and take turns at singing is hard to convey by mere words. I’d show you by performing an illustrative dance but y’know, bad back and all that.

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I did start to wonder in the middle of Crash Of Rhino’s set if Braid had shot themselves in the foot by getting such an amazing band to open for them. But these thoughts were laid to rest as soon as Braid launched in to the opening song off ‘Frame & Canvas’, the classic ‘The New Nathan Detroits’. However good Crash Of Rhino’s were, this was Braid. BRAID!!! ‘Frame & Canvas’ is the stuff of legend, an album that hasn’t dated or lost any of its vast charm in the 15 years since it was released and Braid were here to play in full. As soon as Braid started the crowd were whipped in to a frenzy, pointed fingers were everywhere, every lyric was being screamed back at the band. The energy inside the Garage was palpable, Braid appeared to be really responding to this wave of adulation by giving it their all, in spite of the soaring temperatures. The only thing that nearly spoilt proceedings was some nasty sound issues, horrible feedback from one of the mics marred the end to ‘..Nathan Detroits’. Thankfully this was sorted quite quickly. It was so fantastic to be watching Braid play live at last. I can’t really work out why I hadn’t seen them the first time round and this more than making amends for that.

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By ‘Breathe In’ I gave in to the heat and retreated to the back of the venue to get some water and have a bit of a breather. I made the decision to watch the rest of the show from here which I do slightly regret because the atmosphere was a lot less intense at the back. It was so freakishly hot inside the Garage that night that getting some refreshment was probably the right thing to do and I was still able to really enjoy the encore. After Braid had played ‘Frame and canvas’ in its entirety they played a selection of fan favourites like ‘Please Drive Faster’, ‘Forever Got Shorter’ and ‘What a wonderful puddle’ as well as the two songs from the split they recently released with Balance & Composure. This led them on to say that a new album will be on its way, hopefully this will mean another tour too. Fingers crossed.

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What a day!! It will definitely remain one of my highlights of 2013 and a benchmark to measure all future birthdays against. I feel bad for you if you weren’t there, I’d like to say there’ll be days to come that will rival the 27th of July 2013 but I can’t picture there will be many. Just perfect!!

Thanks for reading. Feel free to get in touch on facebook www.facebook.com/isthisthingonblog or on twitter @alex_itto

Couldn’t find any videos of the London show but here is a video of Braid playing in Leeds on the same tour

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NEWSLETTER #3

Hey again. I have a rare morning of not having to do anything or be anywhere so what better way to pass the time then post another of these newsletter things. The theme for this one is ‘SPLITS’.

The idea for bands to release split singles/ep’s/albums has been around for ages but there seems to be a real trend for it at the moment, and why not? as the pickled onion producer Barry Norman would say. Splits are great, who doesn’t like the ‘2 for 1’ deal that you get? No one has yet to better the greatest split of all time, The Promise Ring/Texas is the Reason split 7″ and no one is likely to but some of the recent splits are pretty damn good so lets crack on.

1. PIANOS BECOME THE TEETH/TOUCHE AMORE (Deathwish/Topshelf records)

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If you’ve read this blog a lot then you’ll know my feelings about Pianos Become The Teeth, they are one of my favourite bands of the last 5 years. Their albums still blow me away with every listen, they left me speechless when I saw them play live in Margate and when I bumped into their guitarist in Subway, Tunbridge Wells before seeing them play the forum, he invited me to sit and eat with him, amazing! Their song from this split, ‘Hiding’, doesn’t disappoint one bit, in fact it exceeds all expectations. It’s slower and gentler but powerful. An epic song packed full of emotion, it’s a bit of a cliché for someone who writes a blog predominantly about emo to say they well up when listening to a song but Kyle Durfey’s voice does something to me. My heart literally melts as soon as he starts singing mix this with the post hardcore meets post rock music and you have as near perfect a song as you’re likely to hear all year. This review probably sounds a bit one-sided but nothing should be taken away from Touche Amore. Again they are an incredible band and their song, ‘Gravity, Metaphorically’, matches the PBTT side for brilliance. It’s a bit of a departure for TA, you could also describe this song as an epic as it’s about 4 times longer than any song from their last record. With the same kind of attack Touche Amore bring to their music, this song is allowed to breathe giving them time to play with the dynamics resulting in a rollercoaster ride of a song that leaves you exhausted but also wanting so much more. Cannot wait for their new record which is due to come out in the autumn.

Stream/Download HERE

2. TOUCHE AMORE/TITLE FIGHT (sealegs records)

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Sticking with Touche Amore for the moment, I do love a split where the bands cover each others songs ever since I got the Built To Spill/Marine Research split 7″ all those years ago. And this is exactly what you get here and what great songs they chose. Touche Amore could have chosen any song from ‘Shed’ and I’d have been happy, ‘Crescent-shaped Depression’ is what they plumped for and do it more than justice. It’s a straight up cover but it sounds great with Touche Amore bringing all the energy they normally do to their own material. Title Fight are pretty much a faultless band, their cover of ‘Face Ghost’ from Touche Amore’s last record ‘Parting the sea between brightness and me’ is brilliant. Mainly for the fact that at first glance it’s a straight ahead, loyal cover of a great song but Title Fight subtly bring their melodic hardcore/shoegaze crossover that they’ve been leaning towards on ‘Floral Green’ and it really sets the song alight. Both great bands playing great songs by each other, what the hells not to like?

Listen HERE

3. BRAID/BALANCE AND COMPOSURE (No Sleep Records)

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I finally get to see Braid play this summer and it’s on my birthday which is pretty damn perfect. In the meantime they’ve put out a split with Balance and Composure, a few people were annoyed that they were doing this with a new band but I really like Balance and Composure so can’t see the harm. Plus, Balance and Composure come out of this a bit better judging by the songs on display. Their half of the split doesn’t really cover any new ground for the band but cements their reputation for making really solid and really enjoyable slacker, indie grungemo, I don’t know if this is a reputation they have outside of my head but they should. The Braid half took a while to get in to, at first I wasn’t impressed. Both songs have grown on me more but neither come near to reaching the heights of ‘Frame & Canvas’, the album they’ll be playing in full this summer.

Stream/Download HERE

4. WITS END/HUMAN HANDS (adagio 830, strictly no capital letters, lila himmel, eat a book, and time as a color)

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This is a beautiful, must have split single on many levels. Not only are both tracks superb and also superbly different, but the way it’s packaged and presented reminds me why I love music and this scene so much. The 7″ comes in an individually stamped paper bag with photocopied lyric sheets, it is understated and glorious at the same time. The songs are pure emo joy, Wits End from Norway play brooding and intense emotional hardcore while Human Hands deliver long, repetitive, sparse, lo-fi’mo which builds with heart breaking beauty. Both songs fit perfectly together making an essential split single.

Stream Human Hands HERE Stream Wits End HERE

5. TIGERS JAW/CODE ORANGE KIDS/SELF DEFENSE FAMILY/THE WORLD IS A BEAUTIFUL PLACE & I AM NO LONGER AFRAID TO DIE (Topshelf records)

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This split wins the award for the most interesting and intriguing of all the splits mentioned today. The line up had to be admired, 4 totally different bands put together on one record and it all makes sense. Although, this split is tinged with sadness, could this possibly be the last song that Tigers Jaw ever release? I fucking hope not, I was so gutted to hear they had split up and it’s with a heavy heart that I listen to their new song. If they had made it terrible then maybe it would be easier to accept the break-up but Tigers Jaw don’t know how to write bad songs. ‘Fake Death’ shows a band still at the height of their powers, the guitar work, the harmonies, the downbeat pop, it’s all there and it’s all good. Code Orange Kids take you by surprise with ‘VI (Worms fear god // god fears youth), experimental yet captivating. Self Defense Family take you in an altogether different direction with their affecting and repetitive folk anthem ‘Holy Trend’, that leaps at you with the delivery of someone preaching the end of the world on a street corner. The split is finished by The World Is A Beautiful Place & I Am No Longer Afraid To Die who really are an incredible band and not just because writing their name in full on my blog pushes the word count up considerably making me feel like I’ve done more work. Their song, ‘Beverly Wyatt’, is typically beautiful and uplifting and the underlying ethereal melody that plays through the whole song helps paint pictures in your mind. There is a rumour going round that they are going to tour the UK this autumn with Dads, this has to happen!!

Stream/Download HERE

6. DIKEMBE/HIGHTIDE HOTEL/JET SET SAIL/MONUMENT (Count Your Lucky Stars)

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Another 4 way split and another stellar line up. Dikembe can do no wrong, their songs are always instantly likeable and this one is continued proof of that theory. ‘Donuts in a six speed’ wouldn’t have felt out-of-place on ‘Broad Shoulders’ and builds the excitement nicely for their new album which will be out soon. Hightide Hotel announced last year that they are splitting up but not before they release their second record this year. It’s a massive shame because based on ‘Built to last’ they’re a band that could offer so much. The main riff reminds me of the kind of ones i’d try to write for my old band back in the 90s, I was never this good though. Jet Set Sail continue the quality of the split here with their barnstormer ‘Strickland North’, I definitely need to investigate this band more because I listened to this song back to back a good 4 times in a row which always a good sign. Monument bring the split to a close with ‘Sophisticated Liars’. Monument are a criminally underrated band who write consistently great music, their song here is catchy enough to have you singing along by the second chorus (woooaaaoooohhh) and is a good reminder to listen to their music more.

Stream/Download HERE

7. FAKE PROBLEMS/YOU BLEW IT! (Topshelf Records)

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A band I love and a band I’ve not heard before makes for a good split single, which is exactly the case here. Fake Problems play bright, britpop-esque music with massive choruses, they remind me of Gene and maybe a little bit of Suede in a good way. I wasn’t expecting to be reminded of them and it came as a nice surprise, their songs are catchy enough to find yourself humming them to yourself hours later. You Blew It! made one of my favourite records of last year and the 2 songs on offer here keep that quality up, the first of which, ‘Batavia, NY’, is currently my favorite songs of theirs. Saying that, both songs are great. You Blew It! are another band who need to make the trip across the pond and come play for us.

Stream/Download HERE

8. FOOTBALL, ETC./PLAIDS (Strictly No Capital Letters, Count Your Lucky Stars)

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I’ve written so many nice things about Football, etc in the past that I’ve literally run out of superlatives to attribute to them. Although I’ve probably never simply stated that they’re fucking great, which I should’ve because they bloody well are. Their song here, ‘Down The Field’, continues them on the path to become my absolute favourite band, faultless indiemo of the highest quality. Them putting out a split with Plaids is a very exciting prospect. If, like me, you spend far too many hours reading about emo bands on the Internet then you’ll know that Plaids are one of the most exciting bands in the UK at the moment. They just get it, their music plays with time signatures, brilliant angular guitar work and delivered with a blast of incredible energy. Both bands are touring the UK together this summer which will be a tour not to miss.

You can download/stream the songs HERE

Cheers for reading!!

Come and say hi, leave a comment here or on Facebook www.facebook.com/isthisthingonblog or on twitter @alex_itto

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INTERVIEW WITH FOOTBALL, ETC.

Just over a year ago a countdown on this very blog declared ‘Safety’ by Football, etc. to be the 79th best emo song of all, this is something that I now regret… Because it should be much higher!!! Football, etc. are one of my favourite bands from the last few years, these indiemo heroes have a new album recorded and a UK tour booked so I  thought this would be a great time to catch up with Lindsay, Mercy and Ed and fire some questions in their general direction.

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Is This Thing On? – Hey!! You’ve just recorded a brand new full length, how did it go? What stage of the process are you at now?

Lindsay – We recorded it 2 weeks ago, we tracked everything in 4 and a half days and it went really well, we had a great time. Currently it’s being mixed, we’re reviewing some mixes right now and it should be mastered and sent off probably in the next month or so.

ITTO? – So, you recorded it with Ed Rose who has recorded some legendary emo bands, how did that come about? Did you seek him out? And did he have much influence on how the record sounds?

Lindsay – Some time last year our friend, his name is Andrew Mcshan and he plays in an acoustic act called Emo Side Project, he tracked a song at his studio. He lives in Kansas, quite near it and so he posted about it. I looked up Ed Rose, I actually didn’t know who he was immediately, saw what he had done, was blown away then went to his blog page and saw that 2013 is the last year that he’ll be doing records so when it came around time for us to find a studio, when we were ready to record he immediately came to mind. We contacted him, he had the time available and we went for it.

ITTO? – Is there a reason he’s stopping recording bands?

Mercy – He seemed to be just looking for a more 9 to 5 type of a job; he really wants to sell the studio that he’s at currently. I think that he just wants to move on to a job that’s a little bit more stable, I suppose, then trying to record bands all the time.

ITTO? – Empire! Empire! Are recording now with him

Mercy – Yeah in a couple of weeks

Ed – Recording with Ed Rose was my first time in an actual, professional recording studio, so I was undoubtedly nervous. He was so easy to work with and everything went so smoothly, and that made the process enjoyable for all of us. At least personally, I never felt stressed or pushing too hard to get a certain sound or certain parts absolutely perfect, so that definitely left so much room to actually enjoy the recording. The enjoyment of making a record and just having fun with all aspects of the process is probably his biggest influence.

ITTO? – Cool. Did he have any stories about when he recorded bands like Appleseed Cast/The get up kids that were pretty funny?

Lindsay – I asked him about Appleseed Cast a little bit because, you know, one day we were in the mixing room I just for some reason said “Appleseed Cast Low Level Owl Volume 1 & 2, that’s like my favourite record ever!” and he kind of chuckled. I asked, you know, how did that go? What was the deal? The only thing I remember is that he said it was recorded in 18 days which I thought was pretty cool, it was a long album

ITTO? – What both volumes recorded in 18 days?

Lindsay – Yeah

ITTO? – Wow

Lindsay – Yeah, so, that was neat. And he had good things to say about projects that he’s done and he seemed to have fun.

Mercy – Yeah, but he had some crazy stories too one was of this band that I don’t remember the name of. But it was one of those bands that were on a more major label that was kind of put together, sort of not organically. None of them really knew how to play their instruments or anything but they go in and they sign up to record with him and it’s just a total mess, the label ends up dropping the project and in exchange the band they were so angry that they stole the whole of his dvd collection that was at the studio.

ITTO? – (laughing) you didn’t do that?

Mercy – No, there was nothing left!

ITTO? – It’s been nearly 3 years since you recorded your last full length. Did you approach this record differently? Do you write songs differently now?

Lindsay – Well as far as the studio goes we wanted it to be similar as in tracking everything live other than doing vocals and a couple of extra little guitar and bass things here and there, so that process was similar. And working with Ed Rose was great. As far as writing I guess the biggest difference now is that we have a new drummer. I guess the approach hasn’t necessarily changed.

Mercy – Yeah maybe not the approach to writing songs but I think that we’ve been writing songs a lot more quickly since we started up with Ed.

ITTO? – Do you write songs as a band? Do you come to practice with an idea for a song and then flesh it out or are they pretty much written by one person and everyone just adds their own parts?

Lindsay – All of the above, some of them start with something I have written, some of them start with something Mercy has and then there’s the songs that just happen on the spot.

ITTO? – And what bands have you been listening to a lot lately and did they have any influence on how the record sounds?

(Lindsay & Mercy both laugh)

Mercy – I think we’re both laughing here because we continue to just listen to like all of our same favourites, you know, from like the past 10 years or whatever. I think I’m still spending a lot of time listening to Fugazi and stuff like that, I don’t know.

Lindsay – (laughs) I got a new car so I’ve been listening to satellite radio so I will say my favourite station is ‘90s on 9’ hits from the 90s, gosh, especially in the past couple of months writing the record, finishing that I kind of go on like a music hibernation sometimes. So I haven’t been listening to much, I know that’s a terribly boring answer.

ITTO? – No, that’s cool. How long have you had the songs for this record? Have they been written over the last few years since the first record or have they been written pretty much in the months leading up to recording?

Lindsay – All in the last year, one of them we wrote sort of in the in-between time before we found Ed and the rest of them we wrote, a couple of them we had before, but most of them we wrote with him and we even finished one at the studio so they’re all in various levels of completion leading up to recording. But, for example, there are 2 songs we wrote like a week or 2 before we went into the studio and one that Mercy and Ed wrote 2 days before we went into the studio and I wrote my part there.

ITTO? – Do you write the lyrics in advance, do you have an idea of what you’re going to sing about or are they more last minute?

Lindsay – I have a couple of journals that have stuff on the ready and once we have a song written I’ll kind of flip through and say hey, this might fit and kinda tweak it from there. Most of it I have written already.

ITTO? – Will it be coming out on both Count Your Lucky Stars and Strictly No Capital Letters again?

Lindsay – Yes.

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ITTO? – Ed is the newest member of the band, how did him joining come about? Had you know him long? Has he had any influence on the sound of the band or what direction you’re going in?

Mercy – We came in to contact with him, just like our last 2 drummers by putting up an ad on Craigslist and I think that is again a testament to like where Houston is like maybe not so heavily concentrated with people who like this type of music where we’re unable to find a drummer. I think he has changed the dynamic, he comes from more of a punk rock background than the last 2 drummers and he also likes all this kind of emo revival stuff. So I think overall he puts a lot more energy in to a lot of the songs.

Lindsay – And writing with him has been a lot of fun. It’s interesting, when we found him on Craigslist he had seen us before. We had never met him per se but he had seen us and liked our band, I thought that was really cool and we ended up having some mutual friends in Houston. He lives about an hour away right now, but it’s neat how we had kind of crossed paths.

ITTO? – You guys played the Topshelf/CYLS records showcase at SXSW, how was that? It looked like a pretty awesome line up?

Mercy – That was a fun time, it was really great to be able to see a lot of the, you know, a lot of the bands on CYLS really are our friends and we see them every time we go on tour and we see them we then come through so it was a great chance for all of us to be in one spot, we had a really good time.

ITTO? – Rumour has it that Chris Simpson of Mineral was there, did you see him at all?

Lindsay – Yeah, he was there. He did a surprise acoustic set, we played with him last year, he played with Zookeeper. And actually our band Tin Kitchen, our band before this, booked a show for Zookeeper in New Brunswick in like 2006 maybe or 2007. So we’ve crossed paths with him a few times which is pretty cool.

ITTO? – Awesome. You are coming back to the UK this summer to tour again and that will be your 3rd time in 2 years, what is it you like about the UK and what keeps bringing you back to come and play for us?

Lindsay – I don’t know, I really like it over there. The shows, I don’t wanna say they’re more fun, but in a way it’s like, I don’t know, people seem really in to us and in to the shows that we play and it’s a different vibe. And after the first time, of course being in a new place and being just in awe of everything, everything’s a little more fun and a little more interesting and making those friendships and wanting to do it all again, we’ve been lucky enough to be able to just do it.

Mercy – I would just add that a lot of the bands over there are bands that I really like and so that’s really fun and exciting to play. You know, it’s different from the US because we’re covering a smaller territory, you can have dates with a band like Human Hands like a couple of days in a row even though you’re not officially touring together and that’s fun too.

ITTO? – Like you say it’s a smaller territory but do you still find a difference between playing a show down south as opposed to playing in Scotland or the Midlands etc..?

Lindsay – That I did not really think about although I will say different places have their different personalities.

Mercy – Yeah, for sure.

Lindsay – Brighton was fun, like really energetic fun. Swansea…

Mercy – Is amazing!

Lindsay – Surprisingly amazing. It really seems that they have a really cool thing developing right now and there’s this venue that looks like it used to be a restaurant and we’ve played there twice and we’re playing there again. It’s just a really cool spot; I’m excited about what’s going on there

ITTO? – Excellent. When you play ‘Safety’ and everyone sings along with the guitar melody at the beginning, is that something that only happens here or does that happen every time you play?

Mercy – I don’t think that’s ever happened when we play in the US.

Lindsay – Maybe after people saw the videos from ‘About Time’. That was a UK thing, it started in Manchester.

Mercy – Yeah, we were totally caught off guard by it but it definitely caught on.

ITTO? – The so called ‘emo’ scene is really vibrant and exciting at the moment, is that true of where you are in Texas or do you have to tour to feel a part of it.

Lindsay – I think right now there are some bands in Houston that are…

Mercy – Going for that sound or whatever…

Lindsay – yeah, that are in a nutshell a part of it but not necessarily leaving town and connecting but they’re definitely a product of it, newer bands. But it takes travelling to somewhere like Chicago or a lot of different places where like you’re ‘in’ it.  I wouldn’t say in Houston it’s a cohesive scene but its happening.

Mercy – I think it’s in the early stages right now, whereas like in other places like where we moved from, New Brunswick in New Jersey, it was already going by 2007/2008. I think here it’s just sort of beginning to develop and I’m not really sure exactly why that is but…

ITTO? – Yeah, where I live, in Margate, we had a massive scene at the end of the 90’s that my band was a part of but we don’t seem to have that now but there’s so much in other areas of the UK. It’s weird that in some places it’s really caught on and come back but now I feel I have to go online/write my blog to feel a part of it, rather than just having it locally like we used to.

Lindsay – I really think it pops up in bubbles, I mean if you think of it that somebody starts a band, they play with their friends bands and then it creates this thing. I feel like these bubbles pop up and they move and then they settle down again, you know, there are towns like you said in Margate that used to have something but just right now nothing is really happening. Yeah, I definitely think in the US it’s like that.

ITTO? – Yeah. And with ‘emo’, historically bands hate being labelled as ‘emo’ bands but that doesn’t seem to be such a problem anymore, bands seem to accept it. Do you have any objections to being called an emo band? Or does it not bother you at all?

Lindsay – It doesn’t bother me, I still feel like we are slightly, I don’t know, different.

Mercy – Yeah, I see what you mean. So, like, I don’t mind our band being called that but sometimes I don’t want anybody to be misled in to thinking it’s going to sound more like something else or whatever and I’m not talking about the Hot Topic thing, I’m talking about feeling like we’re exactly like the poster child of this whole emo revival thing. I mean, we don’t always adhere to the model.

Lindsay – And certainly if some layperson asks me what kind of music my band plays I would not say emo first because then I’d have to like give some sort of history behind that, I usually just say ‘Indie rock’. But I also feel like we’re a punk rock band at the core through just the way we do things.

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ITTO? – And finally. If you could’ve been in any band from the 90’s who would it be and why?

Lindsay – Well I would say Rainer Maria is the obvious answer as it’s my favourite band. I think through playing music I’ve really come to appreciate how much they do as a 3 piece band. It’s just cool to think about the things that they do and how that might influence me or inspire me. Also another would be Sonic Youth because it’d be really fun to, first of all, play loud in humongous places but also to do all that crazy shit with the guitars all day would be…

Mercy – Really fun!

Ed – My love for Metallica makes me want to say them, but I think I’d love to have been in No Use for A Name. I remember listening to them in ’97 in junior high and, although not really realizing what “punk rock” was, completely loving them. Melodic punk rock has always been one of my favourites. It broke my heart to hear of Tony Sly’s death this past year – we were actually on tour when it happened, and I made it a point to dedicate our set to him that night

ITTO – Football, etc. Thank you so much!!

Links:

http://footballetc.bandcamp.com/

http://footballetc.wordpress.com/

Thanks so much for reading. Get in touch here, on twitter @alex_itto or Facebook www.facebook.com/isthisthingonblog/

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Football, etc.

This post accompanies a post about Joie De Vivre, if you haven’t read it then click HERE to do so.

If you have read many of my older posts then you will know how much I bang on about how stupidly bad my back has been. I’m aware that it is annoying to keep mentioning it but here goes anyway. Much earlier this year I was awaiting my second operation on my spine and wasn’t able to do very much apart from annoy my good lady wife and make lots of ouchy noises. And also be overly jealous of anybody that was able to just go out and about in a normal manner. A friend on facebook updated their status with the fact that he’d been to see Football, etc and that it was brilliant. Predictably I was instantly envious and cemented that by going on to read on various sites about how brilliant their whole tour had been. Great! I thought, another band I’ve missed out on seeing. Luckily though, they didn’t waste much time in returning to our fair Isle. There were touring the UK with Joie De Vivre and I wasn’t going to miss out on this one.

There was such an incredible atmosphere in the venue that night. This was last friday (6th July) at Sticky Mikes Frog Bar in Brighton. Maybe it was just my excitable fanboy disposition that was giving me this impression but there did seem to be a real buzz about the place. The singer of Holland, the band on before Football, Etc had mentioned during their set about how amazing Football, Etc had been when they payed the Albert in Brighton on their last UK tour, so I knew there was a lot of expectation in the audience. Again, they didn’t disappoint and, if anything, surpassed any expectations that I had.

Playing a set that included songs from their full length, ‘The Draft’, and some new songs that featured on a split cassette with Square Business, which I’ll mention again in a moment, their gorgeous indie emo sound came over perfectly. They played tight as a group which was to their credit as their drummer on the night wasn’t their usual drummer and just a stand in for this tour. Not that you could tell though as they sounded like they’d been playing together for years. The newer songs were exciting as they showcased a band with a knack of writing consistently enjoyable songs and hinted at the fact that another full length from them will be just as brilliant as thir last one. Everything about the set was enjoyable, from watching the band having a great time to watching Brandon from Joie De Vivre looking annoyed to be having to hold a lead in place at the back of Lindsay Minton’s amp so her guitar wouldn’t keep cutting out.

Football, etc ended their set just as I’d hoped they would by playing ‘Safety’. A few months ago you may have read that I posted the Is This Thing On? top 100 emo songs of all time, ‘Safety’ came in at number 89, which having listened to that song a lot since publishing the list seems to do the song a bit of an injustice. It’s not only my favourite Football, etc song, it’s also one of my favourite songs of the last couple of years. The chorus is unbeatably perfect and seeing them play the song live seemed to heighten my admiration. The song begins with a really simple yet catchy guitar melody, having the full crowd in Brighton that night singing along to that bit made the hairs on the back of my neck stand tall. Add that to the fact that Lindsay Minton’s voive sounds as incredible live as it does on record and getting to see Joie De Vivre dancing along deliriously at the side of the stage made it a very special moment. It left me with a smile I found very hard to get rid of. Especially when after the show I spoke to Lindsay whilst buying a Football, Etc T-shirt and mentioned the list to which she replied that she had already seen it and was very flattered, woop!!

I also got myself a copy of the split cassette that I mentioned earlier. I love that bands are releasing cassettes again now, I am hoping to rectify the fact that I don’t currently own a tape player very soon. Luckily it came with a download code so I could enjoy the music straight away. And enjoy it I do. The split is 3 songs each and is definitley worth trying to get a copy of. The Football, etc side is pure Football, etc. 3 songs that totally live up to their full length. The first song, ‘Hut 1’, begins with a dreamy emo guitar riff with full band backing it up which then turns in to a verse which is catchy as hell. From then it doesn’t stop getting better. ‘Hut 3’ starts with bit more pace to it but turns out to deliver slower, dreamier parts that are equally as good. Their side of the split is then rounded off nicely with the laid back, ‘Hike’. The other side is my introduction to Square Business and I have to say that my first impression is a really good one. What starts out with some nice jangly, lo-fi emo paves the way for some really good grunge rock. Being a fan of grunge and emo makes this particularly appealing, Daylight are another band who really succesfully marry these two genres together and I love that band so Square Business are in good company. I will definitley be on the lookout for more from them in the near future.

If you missed on seeing Football, etc on this tour then I hope for your sakes they come back soon, they seem to really enjoy it over here so here’s hoping. In the mean time check out the split, you can stream the Football, etc half of the split HERE.

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Thanks for reading, and thanks to Mikee/Living Well Productions for the live photos.

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