Tag Archives: band

TheLastWordIsRejoice: A Tribute To Mineral

You can’t possibly have missed the fact that Mineral are BACK and playing live again. Even though I bought my first Mineral album 15 years ago, I, like many other fans desperately excited to see them play live, had gotten into them when it was too late. They had already broken up by that point. In 1999 I completely fell in love with Mineral. I took the train on my own to London at some time that year with a weeks wages in my pocket with the sole purpose to find CDs I couldn’t find locally, I found ‘EndSerenading’ in the alternative section of Tower Records in Piccadilly Circus. I had heard of them but had never actually heard them, that was until the train ride home when I unwrapped the case, put the cd in my discman, put my headphones on, pressed play and shut my eyes. I was totally sold from the first note plucked on the guitar. ‘EndSerenading’ became one of my favourite records of all time, with ‘&Serenading’ my favourite song. It was hard, at the time, to find out much information about the band, the cover sleeve gave nothing away and I was gutted to find out from friends that they had split up already.
At the age of 19 I never would have believed you if you had told me that at age 34 I would have tickets to see them play, and yet here I am aged 34 with tickets to see them play live twice next February (February!! How perfect is that?) when they come to the UK for the first time ever.

I wanted to do something on the blog as a tribute to this legendary band and try and share with them the outpouring of love that has emanated since their reunion. This is a collection of writing containing the memories and feelings towards the band from friends, fellow blog writers, musicians and label owners.

me

Tom Mullen (Washed Up Emo)

I was introduced to Mineral thanks to a giveaway bin at the college radio station my freshman year. My first week I had signed up for a show and went to hang with the music director to find out what he was into and talk about the hardcore show I wanted to do. During that meeting, there was a box in his office that was labeled for giveaway. I caught out of the corner of my eye “Static Prevails” on vinyl and perked up to ask if I could pick through it. He said, by all means, that stuff was going to be given out at the next radio station meeting. In that box, among a treasure trove of emo goodness, was the first Mineral album. I was floored by this album and still are to this day. I never saw the band as I missed a show they played near my college by a month or two back when message boards and flyers were the way to promote a show. This band always left before saying goodbye and now we’re lucky enough to be around to see this band come back and play for those that never got to see them. Mineral may have been typecast into the emo genre, but if it’s a band people mention every time, I won’t be mad. They’re the true definition of the loud/soft, heartfelt and loud sound I miss when most of the “emo revival” is derived from the midwest. Mineral’s impact and influence will still be intact regardless of this tour and what’s next. It’s right for them to reform, so it should be right for us to show respect to a band that for many thought would never reunite. For myself, I’ll be screaming along right next to you and smiling every second.

min3

Oliver Craven (Crash Of Rhinos)

I’m not usually the guy from our band that does this sort of thing, but when asked to write a few words about Mineral I felt I had to. Through my teens, twenties and now into my thirties, they probably mean more to me now than even then.

A lot of people have come and gone in the time since I first heard Mineral. Family, friends, girlfriends, bands.
leaving school in 1999 and wanting to do nothing else except smash the fuck out of a drum kit and skate, I ended up meeting like-minded people through record shops and rock clubs.
I’m still close friends with most of these people now. Four of them were in Crash of Rhinos. It didn’t seem to matter back then that none of us really gave a shit about much else except jamming and skating. There’s a sense of freedom from that age that you don’t really get again. Mineral was the soundtrack to pretty much all of it.

Times like that are rare, bands like Mineral are rare, and kinda should be.
Makes it all the better.

A lot of those people will be back together for the first time in a long time the night Mineral play Nottingham in February. We’ve all changed a fair bit over the years, but I’m pretty confident as soon as Scott McCarver plugs in and the feedback starts wailing, it’s not gonna seem like it.

Favourite song then: A Letter
Favourite song now: A Letter

min

Lindsay Minton (Football, Etc)

I’m not totally sure, but I think I found out about Mineral on a message board the summer before I started high school. The song “Slower” became my anthem of the next 4 years. I somehow managed to put Zookeeper on in a basement in New Brunswick in 2007. Not only was Chris Simpson in the room, but also Kyle Fischer from Rainer Maria (playing lapsteel in the band Balthrop, Alabama). What an impact playing a show with my two biggest influences was for me…
Last Friday, I saw Mineral play their first show in 16 years. It was a smallish venue (capacity at 180). It’s kind of hard to describe it– but it was perfect. A bunch of mid-twenty to thirty-somethings standing around with their arms crossed, singing along to themselves. Hearing Mineral come from the stage, instead of the various sets of speakers and headphones I have heard them from over the years was absolutely refreshing. It was something my 14-year-old self never thought I’d be able to experience.

min11

Glen Bushell (Punktastic)

I was a bit of a latecomer to Mineral if I’m honest. I only cared about punk, grunge and metal pre-2000, until I saw At The Drive-In at Reading 2000 and it changed my life forever and opened my world up to a whole new area of music. After that I started to go to emo and hardcore shows in Margate and Canterbury, and I picked up the Mineral/Jimmy Eat World/Sense field split because I had just started getting into Jimmy Eat World, and I really enjoyed Mineral’s cover of Crazy. I picked up Endserenading after that, and it blew my mind. It was raw, impassioned, and very honest. It embodied every feeling I was going through turning from a teenager into an adult. From then on I forever compared every emo band to them, and even now in my 30’s when I need to find solace in a record, Endserenading, and also Power Of Failing are still my go to records. Finally getting to see them in the UK next year will be the end result of 15 years waiting and wishing to see them, and I’ll be honest, I may shed a tear or two with no shame during Walking To Winter, which is still my favourite song.

min10

Frank Turner (Kneejerk/Million Dead/Mongol Horde/Frank turner)

I first heard Mineral rifling through a friend’s record collection in 1998 or so, about a year after they broke up. I fell in love pretty quickly, and they became one of my foundational bands musically – I think I subconsciously still try to write and sing like Chris, and the production is pretty perfect for me as well. When I found out they were reuniting this year I lost my mind, booked my flights, and ended up playing an opening slot at the Brooklyn show, which was a dream come true.

min13

Ray Harkins (100 words or less podcast)

My exposure to Mineral was a complete blur. When you are 16 years old and shoving a bunch of music in your head, it’s hard to discern exactly when/where you heard something but Mineral immediately stuck out. I had begun the process of accepting that “non-screaming” music was okay and I was allowed to listen to it after my initial punk & hardcore blitzkrieg. “Gloria” was placed on the stereo by the guitarist of my band at the time and it was loud, fast but had these things that I later called “dynamics” that I wasn’t used to. It felt good to have a moment to reflect on the song, while it was still going on. This was 1996 and ever since that small exposure, Mineral loomed large in my life. I do remember that I specifically ordered the LP because I had HEARD that it included a lyric sheet (which the CD version did not). I was ecstatic to receive the LP (before I was a full fledged collector) and poured over the lyrics all night. Long live Mineral.

min9

Paul Waller (OHHMS)

I don’t remember how I came across Mineral but I do know that I was listening to Sunny Day Real Estate, Boy Sets Fire and the UK’s very own Sunfactor and Spy Vs Spy before I got wind of them. Somewhere along a very fuzzy line I had bought ‘End Serenading’ and just fell in love with it straight away. My initial reaction was that I really dug the vocals. It was slow to mid paced pop music with this askew melancholic edge that kept pulling me in. But that voice, this guy was so obviously upset about something… I don’t know his name and I don’t need to but that singer guy, he was the real deal, he had almost as great a voice as Jeremy Enigk from SDRE but there was far more passion in the vocal delivery. I wanted to give him a cuddle.

A big plus with ‘End Serenading’ was that the bass lines were pretty easy to learn. I remember spending a night on my own figuring out each song track by track until I could play all of side one and then doing the same for the flip side. Don’t know why I did that. I’m not a bass player, but if I could do it then anyone could.

Every now and again somebody asks me what I think of their first album? They say it’s better, harder, even more emo. Well, I do have a copy of it but I never listen to it. The front cover is so awful that I refuse to give it a chance. If a band is going to take so little care about the way in which they present a record then I dread to think what the actual music is like.

‘End Serenading’ is the only emo album I still regularly listen to.

I can’t wait to see them play some of it live next year.

min12

Lewie Peckham (Bearded magazine/Is this thing on?)

I first heard Mineral through a Pop Unknown track on the second Emo Diaries compilation ‘A Million Miles Away’ (those titles) in ’98 and the sombre pace of ‘Writing it Down For You’ reminded me of Red House Painters (A favourite at the time and pretty much still to this day). I saw that Pop Unknown had ‘Ex-members of Mineral’ printed in the little catalog you got with every Deep Elm release and took a chance on a mail ordered copy of The Power of Falling and was hooked from the opening notes of ‘Five, Eight and Ten’ and by the time ‘Parking Lot’ faded out in a screech of feedback i was a devoted wreck and i still am 16 years later.

I can never listen to Mineral in the summer. Much like American Football I know when to break out The Power of Falling and EndSerenading and it’s not during July and august, save that for Something to Write Home About and Clarity. When that first hint of autumn hits you, be it a slight chill in the air that stays there all day or a walk through a park with its grass obscured by fallen brown leaves. That’s when you can find Mineral filling my ears, their songs tightly held in place by my headphones and just for me only, an exclusive club for one.

min14

 

Kristy Diaz (www.recordnotcommodity.co.uk)

When The Power of Failing was recorded in 1995, I lived in Austin, TX. Just 11 miles away from Music Lane Recording Studios, in fact. However, the first time I heard that record, like many Mineral fans I imagine, was around 10 years after its release. I mean, it’s probably for the best, I wouldn’t have ‘got’ it when I was 8. My main concern was looking for snakes in the front yard.
I don’t recall anyone introducing me to them, but I was listening to a lot of Sunny Day Real Estate that year so I guess it was just association. I have a bias toward the urgency and imperfection that comes with a band’s first record, so whilst EndSerenading was great in its own right, The Power of Failing was, and still is, my favourite. In terms of highlights, it would be hard not to mention the guitars in If I Could and the intro to Take The Picture Now, but, perhaps predictably, Gloria always stood out.
To be a dick and choose a song that they didn’t actually write as a favourite, I was always super into their cover of Crazy, from the split 7” with Jimmy Eat World and Sense Field. The guitars are interchangeably gorgeous and infuriating, but mostly I love it because it’s a bit silly, too.

kristy

Kevin Duquette (Topshelf Records)

My earliest Mineral-related memory is having a bunch of records recommended to me after I had just recently discovered toe, Pele, Jimmy Eat World and American Football in high school. Mineral was in that bunch and I never quite made it to listening to it because — as a designer — I thought the album cover art was pretty awful (“The Power of Failing”) and chose to try many of the others first, eventually forgetting that one altogether. I went on a road trip that summer and a friend was DJing from the passenger seat, playing their albums over the car speakers. I eventually asked what it was we were listening to and realized I’d overlooked a pretty important band. I quickly remedied that when we got home.

min8

Morten Andre Samdal (Youth Pictures Of Florence Henderson)

I grew up being a skatepunkdude in the mid 90s (still am!), and me and my friends had this band. While the others listened to mostly fast punkrock, I looked for something a bit different. I tried my way through britpop, grunge and some other straight forward rock bands, but nothing really hit as hard as the fast paced melodic punkrock I loved. Not until I bought a bunch of records, with bands like Hot Water Music, Mineral, Alkaline Trio, Christie Front Drive and Jimmy Eat World, if I remember it correctly. Mineral was life changing. The record I first got was The Power of failing, and it hit me in the guts. The tender melodies wrapped in distorted raw guitars, and the way Chris Simpson dragged the words much longer than I ever thought was possible – I’d never heard anything like it. I got the other guys in the band to give it a listen, but they just laughed and said it was music for pussies. Not long after my band parted ways, and I started an emo-band. Mostly because of Mineral, I guess!
While bands like JEW, HWM and Alkaline Trio just got worse and worse over the years, Mineral and CFD were smart and disbanded, like a real emo band should do 😉 To this day, these two are my favourite 2nd generation emo bands, and I still listen to them regularly. I am so coming to London in February (hope they play that song).

min16

 

James Benwell (Fan)

I found Mineral through The Gloria Record and I found TGR through the guy working downstairs at Tempest Records (R.I.P) in Birmingham. It’s been a 15 year love affair that hasn’t faded. The rawness of The Power of Failing still sounds as visceral as ever and EndSerenading became the soundtrack to my winter nights, and made me wish it was winter the rest of the year round.
They’ve always touched a chord lyrically. Stories of love, the beauty in the world around us, and then songs like MD, perhaps a precursor to the likes of the latest Empire! Empire! album; so personal, so simple, yet so heart wrenchingly beautiful when told over a soundtrack that can make you feel like you want to tell everyone you know that you love them, or to fall in love just so you can find some words of your own.
I never thanked the guy at Tempest, I wish that I had. He’s the reason that I’m not deaf at 31 to the sound of the greatest band that i’ll ever got to hear.

min5

Gary Sleith (Good post day records)

I first heard Mineral thanks to the (Don’t Forget To) Breathe compilation CD. I bought it from Amazon, and at the time I was heavily into a few of the bands on it, bands like Promise Ring, Knapsack, Hot Water Music & Fireside, but I had never heard of Mineral. For me, their track on the record, ‘Rubber Legs’ was a real Jerry Maguire ‘You had me at hello’ moment…5 seconds in I was hooked and by the time Chris Simpson sings “your boy is all alone tonight but i will never forget how you taught me to stand on these rubber legs and fight.” at the end I was head over heels. I bought EndSerenading online immediately and connected with it in a way that I had only done with one record up to that point; Clarity. My favourite song on it initially was ForIvadell but when I listen to it today, I’m always blown away by &Serenading(probably the influence of Alex!) but if I had to pick a favourite Mineral song, I would have to go with ‘February’ from their self-titled 7”. For me, that track perfectly encapsulates Mineral despite being perhaps one of their, for want of a better word, “heavier” tracks and to this day I use it as a benchmark for truly great emo music, up there with songs like ‘E. Texas Avenue’ ‘For Me This Is Heaven’ & ‘Never Meant’

Thank you so much for reading xx

Contact us: http://www.facebook.com/isthisthingonblog, ittoblog@gmail.com, twitter @alex_itto @BonersaurJR

Advertisements
Tagged , , , , , , , , , , , , , , , , , ,

INTERVIEW: BEEZEWAX

I have been a massive fan of Beezewax ever since their debut album completely blew me away as a teenager in the 90s. They played locally several times in the late 90s/early 00s and every time was incredibly special. The band recently announced a mini UK tour which kicks off in less than 2 weeks so I caught up with singer/guitarist Kenneth Ishak to discuss the tour and his memories of UK tours past. Enjoy!

bzwx 1

IS THIS THING ON? – I first saw you when you played the tiny cardinals cap in Canterbury and instantly fell in love. It must have been 1998, what do you remember about that first uk tour?

Kenneth Ishak – Hey, glad you were there!
Well, I think that was our second UK tour, i can remember that show bit I can’t link it to any other shows, but the first and second tour in the UK was just a big change for all of us. We didn’t have that sort of scene at home, we were compared to many bands we had never heard about- we didn’t know what emo was. We were basically 4 kids who had hung together growing up- listened to dinosaur jr, hip hop, we were definitely not part of a scene except for our norwegian label LaNuGo which was a hardcore punk label.
Yeah, in Norway people didn’t care but we had just started anyways but got to go to the UK right away to tour with Spy Vs spy, they were the greatest band and people- we became pretty good friends and influenced by them. I almost puked before our fist show, we were on after them- they were so amazing and i had never heard anything like it- i was in shock! Then we had to play. But then people sang along to our songs, i sorta understood that whatever it was we were doing, people were into it.

ITTO? – I bought ‘A dozen summits’ at that first show on cd for £3, later someone told me that you’d made a mistake with the price and I’ve felt bad ever since. Is that true?

KI – Haha, we never felt bad- we just figured, lower the price and sell more. I remember in Manchester the whole crowd got in line after we played, yeah everything really fell into place for us on those first tours.

ITTO? – The other times I saw you were all in Margate at the legendary Lido. You had a big following here, what are your memories of Margate and did you get a similar response throughout the uk?

KI – We did, nice! We know there were at least some people there who liked us- someone told me they played a couple of our songs at practise even. I have many great memories playing at the Lido- especially one show that was packed and just really loud, probably one of my favourite shows ever. Last time we played there Stian our drummer was sick, and to be honest- we were not the same band, but yeah- there was a great crowd but we did not deliver so i am glad to come back. It will be our first show in 7 years so there might be a couple of fuck ups!

ITTO? – You’re playing Margate again as part of a UK tour in May with one of the most exciting uk bands at the moment, Playlounge, how did touring with them come about?

KI – It was just our label that did a little research- seems there are people discovering our older records, people who were 4 or something then- anyways Playlounge seemed to be into our stuff, and we sure like them so we asked if we could play some shows together, and they were into it. I am sure we will be blown away!

ITTO? – Have you got anything special planned for these shows? Will you be playing songs from all of your albums?

KI – Nothing special, to be honest- I don’t know what will happen but we have had fun during rehearsals.

Beezewax1

ITTO? – Do you have any plans to come back again yet?

KI – Yes, this fall we hope to cover places we couldn’t get to on this little tour.

ITTO? – And finally, what is your favourite band that you’ve ever played with?

KI – Again, Spy vs Spy, we have played with plenty of bands in different countries but nothing made a bigger impact i think.

ITTO? – Thanks Kenneth!!

bzwx 2

Beezewax will be playing the following shows this May:

May 22nd – Margate, The Bracket

May 23rd – London, Birthday’s

May 24th – Brighton, The Hope

May 25th – Portsmouth, The Registry

Is this thing on? is putting on the Margate show, please come down if you’re in the area. Here is the link to the facebook events page for the show – https://www.facebook.com/events/1425538981029584/

Thanks for reading. Get in touch here, http://www.facebook.com/isthisthingonblog, ittoblog@gmail.com or twitter @alex_itto

 

Tagged , , , , , , , , ,

INTERVIEW: HUMAN HANDS

If there is going to be one band that defines the emo underground in the UK this year it will be Human Hands, if you have just one listen to their debut full length, self titled LP you’ll know exactly why that is true. It is an incredibly beautiful and powerful record and with plenty of other releases and tours planned for this year I thought an interview with the band was well in order. So here it is! (Ps the interview was conducted just before the release of the record so a couple of the questions are slightly out of date, but don’t let that spoil your enjoyment)

hh1

Is This Thing On? – Hello. You’re on the cusp of releasing your debut full length record, can you tell us a bit about the background to the record?

Chaz: It has been in the works for ages now. We hatched a plan with Andy sncl at a basement gig in Manchester over 2 and a half years ago now, so yeh, it’s taken a while, but I think it benefited from that time and space. We recorded it at the end of May 2013 at JT Soars (aka Wine Vibes)in Nottingham.
Clyde: It has had a slow gestation, but that has mostly due to me moving away and touring rather than writing whenever I was back. When we got to it, it came together pretty quickly.
Rob: I can’t add much, I reckon we practiced most of the songs when playing shows! When we’re all together I think we’d rather play gigs wherever we can, so writing sometimes takes a back seat. Although it’s taken so long to surface, I think that we’re all really happy with the end result.

ITTO? – What themes does the record tackle? Is there a running theme throughout?

Chaz: Don’t think there is a particular theme that runs throughout. Most of the lyrics are about the bullshit I see in everyday life.

ITTO? – Listening through your back catalogue there seems to have been a real progression in sound, from the urgent to the epic. Is it just a matter of circumstance that it’s taken you this long to put out a full length or was it that you wanted to wait until the band was ready, sound wise?

Chaz: Mainly a matter of circumstances I guess (Clyde now lives in Iceland), but I’m glad we took a little more time with it. I think in regards to progressions in sound, when we started I think we just wanted to make something fast and noisy. I think from the first 7” we started slowing things down a bit, and have taken that ‘sound’ from there, I guess.
Clyde: There wasn’t really too much of plan. We just started writing that way. When we started it was to do a band in the vein of Swing Kids, Assfactor 4 and The Red Scare. As a consequence we came into it initially with more aggressive material to work on…in time I think we’ve settled into something a little more natural to us.
Rob: I would say circumstance. I think that we play much more comfortably together now and the LP has benefited from maturity, distance etc.

ITTO? – The two songs off the new record you have up on bandcamp at the mo showcase a really lush, gorgeous sound. Did you spend a lot of time getting the sound right or is that more down to who you worked with?

Chaz: We recorded with our friend Phil (who has recorded everything for us except the demo and split tapes with verme and deergear). We took a fair bit of time getting sound right, and then recorded everything live. I think it’s a combination of recording in a bigger room (JT soar venue) and Phil getting better and better at recording bands, and us taking a little bit more time with stuff. That said we recorded 11 songs in 2 days.
Rob: I think because we have been consistent with who we’ve recorded most of our material with, it gets easier and improves each time.

hh3

ITTO? – Can you tell us about the artwork for the record? I’m always wary of asking people into music if they like football because you can get some really dodgy looks but are you guys football fans?

Chaz: The cover is just a collage piece I’d been working on for ages and thought would look good as a cover. I spend far too much of my energy getting upset by football, supporting Villa and the mighty Stratford Town.
Clyde: I’m not a football fan, but anything that helps get our songs sung on the terraces is good with me….
Rob: I’m a West Brom fan and watch Stratford when I’m not at work.

ITTO? – What have you been listening to recently and has that had any influence on the album at all?

Chaz: Some records I have been enjoying recently are; Flesh World – S/T MLP, Saccharine Trust – Worldbroken LP, Can – Lost Tapes LP, No – Great Space MLP, V/A – Enjoy The Experience LP, Robbie Basho – Seal Of The Blue Lotus LP, V/A – Classroom Projects LP, Madlib – Rock Konducta LP, Peter Gutteridge – Pure 2 X LP. Can’t remember what I was playing lots when we recorded the lp, but like to think everything comes through in some way.
Clyde: I need to get that No MLP. I’ve been blasting the Party of Helicopter’s Abracadaver recently. Also, Mussorgsky – Boris Godunov, Ulver – Messe i.x–vi.x, Springsteen’s Born To Run. Eagerly awaiting the release of Carpe Noctem’s album on vinyl too. Not too many of these had an influence on the album.
Rob: I’m listening to a lot of Iron Lung, Asthenia, Grand Detour, Moloch, Jeru the Damaja, Disciples of Christ and Yaphet Kotto at the moment.

about time 2

ITTO? – I wasn’t the only one in the crowd at About Time 2 being completely blown away, how was that show for you and can you really feed off the energy of an audience even though they aren’t going nuts or screaming the lyrics in your face?

Chaz: That gig was great, and was pretty terrifying playing to that many people. I think most people watching us tend to feel tense or bored, so it was a pleasant change.
Clyde: The show was nerve-wracking for me as it was the first time I’d had to do lead vocals on a song. Overall though, it felt pretty together. It was a big crowd, but we had enough friends in the audience to make us feel comfortable. And it’s always good to know a crowd is digging.
Rob: Yeah both About Time gigs have been amazing. It was great to be asked to play again, and I think we held a crowd, which is always good.

ITTO? – It’s a real credit to the state of music in the UK that you can have an incredibly popular all dayer that is predominantly all UK bands. What do you think about the state of underground music in the uk at the moment?

Chaz: Yeh, it was a great day. UK is great at the moment for new music particularly punk and hardcore.
Clyde: Entirely. There are so many good bands out there at the moment from all across the spectrum. I think all of us have been into this music for a long time, and I’m not sure that I’ve personally ever experienced it this thriving.
Rob: I think the UK is doing awesome things at the moment. A lot of new, good bands are appearing all the time, from all over the country, which is great.

hh2

ITTO? – What are your plans for when the record is released? Any touring plans yet?

Chaz: Yeh, there will be a small UK tour with Carson Wells in April and then a Euro/UK tour in the summer at some point. Following the LP there will also be split 7”s with Mars to Stay and Carson Wells and a 5 way split 10” with Manku Kapak, Asthenia, Nebraska and Duct Hearts.
Clyde: Pretty much that. Maybe another UK tour later in the year if we can afford it…

ITTO? – (Corny last interview question) If you could play with any band from history, alive or defunct, who would it be and why?

Chaz: Sabbath at any point during the first four lps.
Clyde: Can’t believe the others haven’t already predicted my response. Slayer.
Rob: Minor Threat, I think.

ITTO? – Human Hands, thank you!!

To buy Human Hands self titled LP click HERE
Or to stream/download it click HERE

Thanks for reading. As always, get in touch on here or Facebook http://www.facebook.com/isthisthingonblog, on twitter @alex_itto or email ittoblog@gmail.com

Tagged , , , , , , , ,

REVIEW: SPORT – BON VOYAGE

Band – Sport

Album – Bon Voyage

Label – Good Post Day Records (UK)

Bandcamp – http://sport.bandcamp.com/album/bon-voyage

sport1

Wow! 2014 has really hit the ground running. There is a huge amount of amazing records being released and previewed on an almost daily basis, I feel like I’m swamped already. If you’ve read this blog a lot before then you’ll know I don’t get to sleep much and we’re being made to move house at the moment so free time to write is very limited. But, so we don’t fall behind, I’m gonna try and write as much as I can about as much as I can in short, sweet bursts so hopefully nothing will get forgotten about. And where better to start than with the incredibly exciting new full length from Sport!?!

Ok, if you want some advice of how to get me on side with your bands album then you can pick up some very helpful tips from ‘Bon Voyage’ by Sport. In my eyes, these guys from Lyon, France are doing everything right. They play 90s emo, now I know that is beginning to be something that is putting people off so instead maybe I should say, they’re playing emo the way it’s meant to be played. With immense amounts of energy, heart and a great deal of skill.

They have packed so many hooks and melody into these 11 songs it’s unreal and what makes it better is that it is at no point samey. Sport are not one trick ponies, they deliver an album which takes influence from the entire emo spectrum. ‘Charles Lindberg’, one of the highlights of the album, takes it’s lead from Spraynard, the are echoes of Crash Of Rhinos type post hardcore on ‘Ulrike Maier’ and aspects of Braid, Algernon and Hot Water Music through the rest of the record. But, saying that, ‘Bon Voyage’ is not just a record where you can see a range of influences on display, that takes away the credit that Sport duly deserve for creating a completely brilliant album.

A sign that I know that this is a good record is when I’m playing it full blast in the car, every so often a bit will come up, it’s not always the same bit each time, and I’ll just sit back and think ‘Damn, this is a good record!!’. That may seem like an obvious sign but I thought it was well worth mentioning. I also have an annoying habit where I sing along, loudly, without knowing any of the words. It’s so catchy but the lyrics are quite hard to make out, even so, I don’t see this as a valid reason to not be singing along. This may get on your nerves when I’m doing it at their upcoming UK tour but that’ll be your problem for you to deal with.

This is the first, of hopefully many, truly incredible record of 2014. And one more tip on getting me on side with your band, include a sample, like Sport do on ‘Jacques Mayol’ from the film Fargo. It’s guaranteed to make me love your band forever, like I will Sport!!!! (You’ll probably notice a pretty sweet Stand By Me sample at the beginning too, which is cool, but it’s no Fargo)

Thanks for reading. Get in touch here, or on Facebook http://www.facebook.com/isthisthingonblog or on twitter @alex_itto or email ittoblog@gmail.com

Tagged , , , , , , , ,

INTERVIEW WITH DOWSING

Who doesn’t like Dowsing?? If you just raised your hand then click off this site, shut your laptop and have a long hard think about your life!! Dowsing are one of the most likeable bands currently playing music, they recently toured Europe to great acclaim. At the end of this tour they were stuck on a 15 hour layover in Helsinki which they live tweeted, towards the end of this I decided to take advantage of their good nature and pushed them for an interview. Thankfully they happily said yes and here it is, all questions were answered by Singer/Guitarist Erik.

dows 2

Is This Thing On?: It’s still pretty terrible; it’s just going to get worse. Has it got any better yet?

Erik: I don’t even care anymore.

ITTO?: ‘It’s just going to get worse’ is a compilation of demos and covers etc… How did the idea for the album come about and how did you choose what to include on the album?

Erik: We thought as a band it be cool to make a discography tape of sorts to compile our musical accomplishments thus far.  However, once our van died on the way back from Stay Sweet Fest I thought putting up some unreleased/songs without homes on a release to raise funds for the van would be more of an incentive to others to help us with the costs. We were overwhelmed with the response and help from fans, family, and friends.  We had been discussing the tape with Jacob (Keep It Together) and Keith (Count Your Lucky Stars) and once they saw the 10 “rarities” playlist they thought it be neat to expand upon that idea and make it a longer release.  The best part is that I have really weird demos and live recordings of all of our songs so we were able to make it this chronological discography tape that we had desired from the start.  The cover songs were just fun to add as hidden tracks since most have never had a proper release and the comps they were for never came to fruition.

ITTO?: I missed your recent tour of Europe, but all my emo friends thought you were awesome. How was it for you? What kind of reaction did you get?

Erik: The tour was simply amazing.  Our friend Tommy Royds, who makes a zine called Zine & Not Heard, booked us the trip of a lifetime.  The reaction was more incredible than I could have ever imagined and I can’t thank all the people involved with making our trip successful enough.  When kids you’ve never met sing along to your songs it is always a bizarre and wonderful experience, but when kids who do not speak English as their first language are screaming in your face it is a completely different ballgame.  Europe rules and we are going to come back soon.

ITTO?: What did you learn from touring Europe that you would have never found out if you weren’t in a band?

Erik: European hospitality is outstanding and unmatched.  People were far too kind to our scruffy smelly faces (sans Delia).  Can you say band lofts?

ITTO?: Did you fall in love with any of your support bands? If so, who?

Erik: One of the strangest things was that most of our shows were booked as just Annabel and us.  This was scary at first, but it turned out to be fantastic.  Kids actually came when we didn’t have support bands which I found crazy and flattering.  So my favorite support band by default would be Annabel.  They are the best band in the world if you didn’t know that.  To answer your question though I would have to say Nai Harvest and Youth Pictures of Florence Henderson without a doubt.

ITTO?: Do you have any plans to come back?

Erik: You know it! We have to get our sorry selves to the West Coast first though.

ITTO?: What plans do you have for a new studio album?

Erik: New LP is coming out August 13, 2013.

ITTO?: Hooray!!!! Can you give us some background about the new album. Where you recorded? How long it took? Who you recorded with? Etc…

Erik: I Don’t Even Care Anymore was tracked and mixed in Chicago, IL by Matt Jordan (Stay Ahead of the Weather, Cut Teeth, Lifted Bells) at Atlas Studios and the Stay Ahead House.  It took 4 days to track and 1 day of mixing.  It was our first time not going to Rockford, IL to record and our first time not recording with Chris French.

dows

ITTO?: Is there a theme to the new record?

Erik: The record deals with my last relationship and my inner struggles to make myself happy and finally getting over it all.

ITTO?: What process do you follow when making a new album? Do you write as a band? Do you have everything ready and complete when you enter the studio?

Erik: It is a mix of all of those things.  I usually write and demo 85% of the songs (lyrics, guitar parts, key ideas).  I then show them to the band and ask them to help me flesh it all out.  Sometimes we don’t get to the B-sides and end up finishing them in the studio.  I think it is a good mix for us.

ITTO?: There seems to be a lot of Dowsing side projects, are you all now involved in one? Is Dowsing always your priority?

Erik: Until recently I had believed Delia was not in another band but I can no longer confirm this because she posted something on tumblr about starting a keyboard band.  I play in two other bands called Kittyhawk, and Pet Symmetry.  Marcus plays in Pet Symmetry, Mountains for Clouds, and The Please & Thank Yous. Gooey and Mikey both play in a band called Per Aspera.  With all these side projects though I would say Dowsing is definitely all our top priority.

ITTO?: The so-called emo revival is still going strong. What emo revival band do you think will be the equivalent of Jimmy Eat World and make it big? Which one will renounce emo and make a pretty awful Britpop sounding record? And which one will make two classic albums, split up, find God and then reform?

Erik: This might be my favorite question of all time.

– Modern Baseball because they will.

– Dowsing because why not.

– Old Gray because Cam.

ITTO?: I missed you on tour in the UK because my daughter, Indigo, had just been born. We were in the labour suite for 5 hours and ‘It’s still pretty terrible’ was one of the albums that sound tracked Indigo’s birth. What music would you want your baby to be born to?

Erik: ❤ I am glad we could help bring forth new life.  This has to be one of the most beautiful things I have ever heard our band involved with.  Thank you for letting us be apart of this life changing event.  My babies will be born to Bruce Springsteen’s “Born to Run.”

indi

ITTO?: Dowsing thank you so much!!!

Dowsing’s new record, ‘I Don’t Even Care Anymore’, will be released through Count Your Lucky Stars in August. ‘It’s just going to get worse’ is currently available to stream/download HERE

Thanks for reading, come say hi on facebook www.facebook.com/isthisthingonblog or on twitter @alex_itto
Tagged , , , , , , ,