Tag Archives: about time 2

INTERVIEW: HUMAN HANDS

If there is going to be one band that defines the emo underground in the UK this year it will be Human Hands, if you have just one listen to their debut full length, self titled LP you’ll know exactly why that is true. It is an incredibly beautiful and powerful record and with plenty of other releases and tours planned for this year I thought an interview with the band was well in order. So here it is! (Ps the interview was conducted just before the release of the record so a couple of the questions are slightly out of date, but don’t let that spoil your enjoyment)

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Is This Thing On? – Hello. You’re on the cusp of releasing your debut full length record, can you tell us a bit about the background to the record?

Chaz: It has been in the works for ages now. We hatched a plan with Andy sncl at a basement gig in Manchester over 2 and a half years ago now, so yeh, it’s taken a while, but I think it benefited from that time and space. We recorded it at the end of May 2013 at JT Soars (aka Wine Vibes)in Nottingham.
Clyde: It has had a slow gestation, but that has mostly due to me moving away and touring rather than writing whenever I was back. When we got to it, it came together pretty quickly.
Rob: I can’t add much, I reckon we practiced most of the songs when playing shows! When we’re all together I think we’d rather play gigs wherever we can, so writing sometimes takes a back seat. Although it’s taken so long to surface, I think that we’re all really happy with the end result.

ITTO? – What themes does the record tackle? Is there a running theme throughout?

Chaz: Don’t think there is a particular theme that runs throughout. Most of the lyrics are about the bullshit I see in everyday life.

ITTO? – Listening through your back catalogue there seems to have been a real progression in sound, from the urgent to the epic. Is it just a matter of circumstance that it’s taken you this long to put out a full length or was it that you wanted to wait until the band was ready, sound wise?

Chaz: Mainly a matter of circumstances I guess (Clyde now lives in Iceland), but I’m glad we took a little more time with it. I think in regards to progressions in sound, when we started I think we just wanted to make something fast and noisy. I think from the first 7” we started slowing things down a bit, and have taken that ‘sound’ from there, I guess.
Clyde: There wasn’t really too much of plan. We just started writing that way. When we started it was to do a band in the vein of Swing Kids, Assfactor 4 and The Red Scare. As a consequence we came into it initially with more aggressive material to work on…in time I think we’ve settled into something a little more natural to us.
Rob: I would say circumstance. I think that we play much more comfortably together now and the LP has benefited from maturity, distance etc.

ITTO? – The two songs off the new record you have up on bandcamp at the mo showcase a really lush, gorgeous sound. Did you spend a lot of time getting the sound right or is that more down to who you worked with?

Chaz: We recorded with our friend Phil (who has recorded everything for us except the demo and split tapes with verme and deergear). We took a fair bit of time getting sound right, and then recorded everything live. I think it’s a combination of recording in a bigger room (JT soar venue) and Phil getting better and better at recording bands, and us taking a little bit more time with stuff. That said we recorded 11 songs in 2 days.
Rob: I think because we have been consistent with who we’ve recorded most of our material with, it gets easier and improves each time.

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ITTO? – Can you tell us about the artwork for the record? I’m always wary of asking people into music if they like football because you can get some really dodgy looks but are you guys football fans?

Chaz: The cover is just a collage piece I’d been working on for ages and thought would look good as a cover. I spend far too much of my energy getting upset by football, supporting Villa and the mighty Stratford Town.
Clyde: I’m not a football fan, but anything that helps get our songs sung on the terraces is good with me….
Rob: I’m a West Brom fan and watch Stratford when I’m not at work.

ITTO? – What have you been listening to recently and has that had any influence on the album at all?

Chaz: Some records I have been enjoying recently are; Flesh World – S/T MLP, Saccharine Trust – Worldbroken LP, Can – Lost Tapes LP, No – Great Space MLP, V/A – Enjoy The Experience LP, Robbie Basho – Seal Of The Blue Lotus LP, V/A – Classroom Projects LP, Madlib – Rock Konducta LP, Peter Gutteridge – Pure 2 X LP. Can’t remember what I was playing lots when we recorded the lp, but like to think everything comes through in some way.
Clyde: I need to get that No MLP. I’ve been blasting the Party of Helicopter’s Abracadaver recently. Also, Mussorgsky – Boris Godunov, Ulver – Messe i.x–vi.x, Springsteen’s Born To Run. Eagerly awaiting the release of Carpe Noctem’s album on vinyl too. Not too many of these had an influence on the album.
Rob: I’m listening to a lot of Iron Lung, Asthenia, Grand Detour, Moloch, Jeru the Damaja, Disciples of Christ and Yaphet Kotto at the moment.

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ITTO? – I wasn’t the only one in the crowd at About Time 2 being completely blown away, how was that show for you and can you really feed off the energy of an audience even though they aren’t going nuts or screaming the lyrics in your face?

Chaz: That gig was great, and was pretty terrifying playing to that many people. I think most people watching us tend to feel tense or bored, so it was a pleasant change.
Clyde: The show was nerve-wracking for me as it was the first time I’d had to do lead vocals on a song. Overall though, it felt pretty together. It was a big crowd, but we had enough friends in the audience to make us feel comfortable. And it’s always good to know a crowd is digging.
Rob: Yeah both About Time gigs have been amazing. It was great to be asked to play again, and I think we held a crowd, which is always good.

ITTO? – It’s a real credit to the state of music in the UK that you can have an incredibly popular all dayer that is predominantly all UK bands. What do you think about the state of underground music in the uk at the moment?

Chaz: Yeh, it was a great day. UK is great at the moment for new music particularly punk and hardcore.
Clyde: Entirely. There are so many good bands out there at the moment from all across the spectrum. I think all of us have been into this music for a long time, and I’m not sure that I’ve personally ever experienced it this thriving.
Rob: I think the UK is doing awesome things at the moment. A lot of new, good bands are appearing all the time, from all over the country, which is great.

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ITTO? – What are your plans for when the record is released? Any touring plans yet?

Chaz: Yeh, there will be a small UK tour with Carson Wells in April and then a Euro/UK tour in the summer at some point. Following the LP there will also be split 7”s with Mars to Stay and Carson Wells and a 5 way split 10” with Manku Kapak, Asthenia, Nebraska and Duct Hearts.
Clyde: Pretty much that. Maybe another UK tour later in the year if we can afford it…

ITTO? – (Corny last interview question) If you could play with any band from history, alive or defunct, who would it be and why?

Chaz: Sabbath at any point during the first four lps.
Clyde: Can’t believe the others haven’t already predicted my response. Slayer.
Rob: Minor Threat, I think.

ITTO? – Human Hands, thank you!!

To buy Human Hands self titled LP click HERE
Or to stream/download it click HERE

Thanks for reading. As always, get in touch on here or Facebook http://www.facebook.com/isthisthingonblog, on twitter @alex_itto or email ittoblog@gmail.com

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ABOUT TIME 2, PECKHAM, NOV 16TH 2013

This is not a review in the traditional sense as I wasn’t able to stay for the whole day but I really wanted to write something about how good an experience attending About Time 2 was. Family commitments meant that staying the whole day wasn’t an option but having missed out on About Time last year I wanted to make sure I was there for as much as I could this time round and thanks to my incredibly supportive wife, Hannah, this was possible. It’s a real shame to have missed Joan of Arc and Joanna Gruesome but I’m so happy I got to spend most of the rest of the day there.

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About Time 2, the sequel to About Time, was a one day DIY festival that boasted the UK’s best emo/indie/experimental bands (as well as Italy’s finest screamo band, but we’ll come back to that in a mo). All dayer’s have provided me with some of my favourite gig going memories from the Hot Water Music all dayer at the Garage that also featured Discount, Spy vs Spy and the Autumn Year to the Converge all dayer that took place in a Scout hut in Canterbury and also featured November Coming Fire and the Break In. About Time 2 can now stand proudly with these memories as it was an incredibly enjoyable and exciting day of crazily good music. Like most live reviews I write I have to start by apologising for turning up late, I will always endeavour to get to shows on time but sometimes it’s completely out of my control. The reason this time was the task of getting Hannah and all our 4 kids to her best friends house in Peckham safely before I could head over to the show. I think we did pretty well to get there when we did but it did mean that I missed the first the first 3 bands and turned up just as Playlounge were playing their last notes. So apologies to Healing Powers, Mars to Stay and COP for not being there early enough to watch you play, from what I’ve read online you were all pretty, pretty good.

My comrade for the day was my good friend of many years, Tim. Tim is a music obsessive and some time DJ with incredibly eclectic taste taking in everything from Rockabilly to shoegaze but has never witnessed an “emo” show before. He was very excited to be coming and as he’s read this blog and knows just how passionate I am, he wanted to see what all the fuss was about. It was going to be interesting to see if he would be into any of the bands and what he’d make of the day as a whole, I jokingly told him that I imagine the next time I see him he’ll be sporting the plaid shirt with back pack look and complaining about all this revival rubbish and who knows, could happen because he seemed to as much fun there as I did.

The first band we saw were my good friends band Cosmic Thoughts, who had attracted a decent sized crowd upstairs on the second stage. Their off kilter, synth heavy, arty indie rock with straight up thumping bass lines and persistently infectious drum rhythms got a good percentage of the crowd shaking their hips. Like I’ve said before keep an eye out for these guys as they’ve definitely got an amazing record inside them waiting to burst out at some point in the future.

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After looking a look about, taking things in and catching up with some “internet friends” it was time to see one of the bands I was most excited about seeing, Carson Wells. With this set Carson Wells really set the bar high for all the other bands still to come later, amazingly tight and powerful post hardcore of the highest quality with some great banter thrown in between songs. If you think their LP is great (and it is) it really comes alive when they play live, I was blown away which ain’t bad for a band playing at 2 in the afternoon.

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We then caught the end of Blood Sport’s set, their fresh faced, experimental, Afro beats really caught Tim’s eye and ears for that matter. Then, due to a play being performed in the building, there was an extended break which we capitalised on by finding a greasy spoon cafe who dealt out very generous portions. After filling up all the bacon, eggs, beans and sausages we could manage (or liver in Tim’s case) we were back at the Bussey building hungry for some more live treats.

What greeted us next were We Came Out Like Tigers and a packed room of punters. Probably the best band on the bill to welcome in the evening, the sun had gone down and now the walls were full of a light display which gave their set an added eeriness to the the violin led screamo onslaught. Tim mentioned to me that this was the first moment of the day that it felt like we were part of something that was happening, witnessing an underground scene coming alive. And from here on in it was just band after band like clockwork over two stages. Having seen a band upstairs you would head downstairs to find a band waiting to play, no time wasted and this all added to the overall excitement of the day.

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I made sure that Tim and I were down the front in good time for the next band because I could sense something special was about to happen. Human Hands took to the stage and proved me right, I’d said earlier in the day that this was the band I was most excited about seeing and hoped Tim would see why. After their first song he leaned in to me and declared that what he’d just heard was “delicious!”, I couldn’t have put it any better myself. The room was absolutely packed and the atmosphere was more than electric as Human Hands delivered the performance of the day. Passionate and intense emo in the greatest 90s sense ending with the guitarist angrily throwing his guitar down and leaving a crowd with its collective jaws on the floor. Absolutely perfect!!

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How the hell do you follow that?? Well a change of tone and back upstairs to see Well Wisher get the party well and truly started with their energetic, hook laden emo rock. A great reception greeted them from a crowd that was lapping up what was on offer.

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Things were just getting better and better and this didn’t stop as we headed back downstairs. Plaids were next on the main stage, the crowd was ready and hungry and got exactly what they wanted from a band that is really coming into their own. Plaids worked the crowd to perfection with their shouty emocore not letting the ball drop for a millisecond. There was no way that they would be the weak link in an evening full of the best bands you could see in a day.

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The same could be said of the next band, the final band of the second stage Nai Harvest. A poor position dampened my enjoyment somewhat of their set which is a real shame as they sounded great. Opening with new songs at a festival is always a risky move but they seemed to pull it off and repaid the audiences commitment with some classics from their full length.

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The final band of the day for Tim and I were Italy’s finest, Raein. I’d missed their UK tour at the start of the year which I was very annoyed about and was so happy when it was announced that they’d be playing About Time 2. With the fact that we had to leave after Raein had played meant we were treating these guys like headliners, a role they fulfilled completely. Everything was right, their guitar tone, energy, passion and all else besides made their near hour long set pass by in no time at all. Finishing up with some older songs that sent the front half of the crowd in to a frenzy of flailing arms and with that came the first crowd surfers of the day, rising from the pit. A perfect end.

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And with that we left to go home, tired and extremely happy. Tim’s request to make sure we go again next year confirmed to me that he’d had as good a time as I had. We both agreed that Human Hands stole the show but aside from that it had, all in all, been a really incredible day with every band bringing their a-game. Zine & not heard/barely regal records/HOU project know how to throw a party, London you should count yourselves very lucky!!

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