Tag Archives: 90’s emo

INTERVIEW: MINERAL

You can’t have read this blog without knowing our feelings on Mineral. From naming ‘&Serenading’ as the no.1 emo song of all time to the love letter/tribute to Mineral we published last year we have made it quite clear how much this band means. On the eve of their first ever UK tour, it is a complete honour to share with you a Q&A with Mineral drummer, Gabriel Wiley, we conducted by email.

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Is This Thing On? – Hi. On the eve of your first European tour as a band, how is everything in the Mineral camp?

Gabriel Wiley – Doing well, real excited about playing Europe.

ITTO? – I heard that Mineral reuniting was Jim from Jimmy Eat World’s idea, had you ever discussed reforming before then? When did you first start realising how much people still loved Mineral?

GW – Yes, Jim wanted to put together a show with many of the bands they toured with in the beginning of the band. We were among those asked which caused us to get together and discuss it. Due to many problems the show never happened but we had started practicing and figured we might do a show or two. A nice fella from the windish agency said he’d like to book us some show out east and so he did. Everything has grown from there. After mineral, we were all in other bands and through shows with those bands we would be asked a number of times if and when mineral was getting back together. So we had some idea of the interest yet, it is very enjoyable to see how excited people have been.

ITTO? – Have you talked as a band about why you split up when you did? Was it an amicable split at the time? And was there any awkwardness when you first got back together?

GW – No, we haven’t and it would be counter-productive. I would not call it amicable but no knives were thrown. I don’t remember much awkwardness, at least for my part.

ITTO? – You’ve already completed a lengthy tour in America, how has the reaction been?

GW– It’s been fantastic and a bit humbling. There are times when I can hear the crowd singing louder than Chris’s vocals. The band that opened the US tour, Into It-Over It is awesome and we had a surprise in NYC when Frank Turner opened. That was incredible.

ITTO? – Have you discovered anything new about these songs that you’ve not played together since the last century, some of which you never played live?

GW – No, I know it’s not a very interesting answer, but they seemed to be just as we left them. I would like to say that I had some kind of spirited re-kindling with the songs, but didn’t happen.

ITTO? – I have friends who have seen you numerous times on this tour already and they’ve all commented about how you just keep getting better every show, have you noticed a progression? Are you a better live band now than you’ve ever been?

GW – That is true. Nothing prepares you for tour like touring. I believe we are better now than when we were actually a band. It definitely hurts more now.

ITTO? – In 2012 this blog counted down the top 100 emo songs of all time and ‘&serenading’ was number 1! What’s your favourite Mineral song and has it changed since you’ve reformed?

GW – Favorite is parking lot, and no. We would be a damn fool to change any of it. But &serenading is my wife’s favorite as well.

ITTO? – Do you have anything special planned for your Euro/UK shows? Do you have any idea what to expect over here?

GW – Nothing special, we’ve added a new song, 80-37 to the list (well new to the list but not a new song, as it were). I have been over here with a couple of bands and have a rough idea as far as some cultural differences and the like. (In Germany they like to make you pay to use the toilets!). But as for how people will receive us, I try not to expect or assume how a crowd will react to us.

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ITTO? – There has been a massive resurgence in bands playing this type of music over the last few years and many bands have cited you as a major influence, do you feel part of the current ’emo’ scene? Or do you still identify yourselves as still very much a 90s band?

GW – I feel much more like a 90s rock band, but I can use the word emo in the same sentence as Mineral. As for a current emo scene, I’m not sure I know who that would be. I am 43 and listen mostly to podcasts and music recorded before 1980. I never made music with the intention of influencing anyone, but it is nice that some bands point to us as inspiration.

ITTO? – I see you’re still announcing tours/festival appearances, what else is next for Mineral? Any plans to bring back any post Mineral bands (Gloria Record/Imbroco/Pop Unknown) ?

GW – After this tour, we play a festival in Belgium and Spain in May. After that, maybe nothing, not sure. There is some talk of South America, but difficult to say. I don’t see any of my old bands doing anything, but might talk to the other fellas about their intentions.

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Sorry kids, Dad has some new babies now!

 

ITTO? – And finally. I bought my first Mineral album in 1998 when you had already split, I never dreamed that almost 17 years later I’d get to see you play live. Is there any band you would absolutely love to see reform?

GW – If I could go back to 1977 and see led Zeppelin that would be my wish. But without time travel, ummmm a Seattle band called these arms are snakes, a fantastic Seattle band. Super kick ass. See you at the show.

ITTO? – Thanks so much Gabriel

Get in touch. http://www.facebook.com/isthisthingonblog, Twitter @alex_itto, ittoblog@gmail.com

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TheLastWordIsRejoice: A Tribute To Mineral

You can’t possibly have missed the fact that Mineral are BACK and playing live again. Even though I bought my first Mineral album 15 years ago, I, like many other fans desperately excited to see them play live, had gotten into them when it was too late. They had already broken up by that point. In 1999 I completely fell in love with Mineral. I took the train on my own to London at some time that year with a weeks wages in my pocket with the sole purpose to find CDs I couldn’t find locally, I found ‘EndSerenading’ in the alternative section of Tower Records in Piccadilly Circus. I had heard of them but had never actually heard them, that was until the train ride home when I unwrapped the case, put the cd in my discman, put my headphones on, pressed play and shut my eyes. I was totally sold from the first note plucked on the guitar. ‘EndSerenading’ became one of my favourite records of all time, with ‘&Serenading’ my favourite song. It was hard, at the time, to find out much information about the band, the cover sleeve gave nothing away and I was gutted to find out from friends that they had split up already.
At the age of 19 I never would have believed you if you had told me that at age 34 I would have tickets to see them play, and yet here I am aged 34 with tickets to see them play live twice next February (February!! How perfect is that?) when they come to the UK for the first time ever.

I wanted to do something on the blog as a tribute to this legendary band and try and share with them the outpouring of love that has emanated since their reunion. This is a collection of writing containing the memories and feelings towards the band from friends, fellow blog writers, musicians and label owners.

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Tom Mullen (Washed Up Emo)

I was introduced to Mineral thanks to a giveaway bin at the college radio station my freshman year. My first week I had signed up for a show and went to hang with the music director to find out what he was into and talk about the hardcore show I wanted to do. During that meeting, there was a box in his office that was labeled for giveaway. I caught out of the corner of my eye “Static Prevails” on vinyl and perked up to ask if I could pick through it. He said, by all means, that stuff was going to be given out at the next radio station meeting. In that box, among a treasure trove of emo goodness, was the first Mineral album. I was floored by this album and still are to this day. I never saw the band as I missed a show they played near my college by a month or two back when message boards and flyers were the way to promote a show. This band always left before saying goodbye and now we’re lucky enough to be around to see this band come back and play for those that never got to see them. Mineral may have been typecast into the emo genre, but if it’s a band people mention every time, I won’t be mad. They’re the true definition of the loud/soft, heartfelt and loud sound I miss when most of the “emo revival” is derived from the midwest. Mineral’s impact and influence will still be intact regardless of this tour and what’s next. It’s right for them to reform, so it should be right for us to show respect to a band that for many thought would never reunite. For myself, I’ll be screaming along right next to you and smiling every second.

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Oliver Craven (Crash Of Rhinos)

I’m not usually the guy from our band that does this sort of thing, but when asked to write a few words about Mineral I felt I had to. Through my teens, twenties and now into my thirties, they probably mean more to me now than even then.

A lot of people have come and gone in the time since I first heard Mineral. Family, friends, girlfriends, bands.
leaving school in 1999 and wanting to do nothing else except smash the fuck out of a drum kit and skate, I ended up meeting like-minded people through record shops and rock clubs.
I’m still close friends with most of these people now. Four of them were in Crash of Rhinos. It didn’t seem to matter back then that none of us really gave a shit about much else except jamming and skating. There’s a sense of freedom from that age that you don’t really get again. Mineral was the soundtrack to pretty much all of it.

Times like that are rare, bands like Mineral are rare, and kinda should be.
Makes it all the better.

A lot of those people will be back together for the first time in a long time the night Mineral play Nottingham in February. We’ve all changed a fair bit over the years, but I’m pretty confident as soon as Scott McCarver plugs in and the feedback starts wailing, it’s not gonna seem like it.

Favourite song then: A Letter
Favourite song now: A Letter

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Lindsay Minton (Football, Etc)

I’m not totally sure, but I think I found out about Mineral on a message board the summer before I started high school. The song “Slower” became my anthem of the next 4 years. I somehow managed to put Zookeeper on in a basement in New Brunswick in 2007. Not only was Chris Simpson in the room, but also Kyle Fischer from Rainer Maria (playing lapsteel in the band Balthrop, Alabama). What an impact playing a show with my two biggest influences was for me…
Last Friday, I saw Mineral play their first show in 16 years. It was a smallish venue (capacity at 180). It’s kind of hard to describe it– but it was perfect. A bunch of mid-twenty to thirty-somethings standing around with their arms crossed, singing along to themselves. Hearing Mineral come from the stage, instead of the various sets of speakers and headphones I have heard them from over the years was absolutely refreshing. It was something my 14-year-old self never thought I’d be able to experience.

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Glen Bushell (Punktastic)

I was a bit of a latecomer to Mineral if I’m honest. I only cared about punk, grunge and metal pre-2000, until I saw At The Drive-In at Reading 2000 and it changed my life forever and opened my world up to a whole new area of music. After that I started to go to emo and hardcore shows in Margate and Canterbury, and I picked up the Mineral/Jimmy Eat World/Sense field split because I had just started getting into Jimmy Eat World, and I really enjoyed Mineral’s cover of Crazy. I picked up Endserenading after that, and it blew my mind. It was raw, impassioned, and very honest. It embodied every feeling I was going through turning from a teenager into an adult. From then on I forever compared every emo band to them, and even now in my 30’s when I need to find solace in a record, Endserenading, and also Power Of Failing are still my go to records. Finally getting to see them in the UK next year will be the end result of 15 years waiting and wishing to see them, and I’ll be honest, I may shed a tear or two with no shame during Walking To Winter, which is still my favourite song.

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Frank Turner (Kneejerk/Million Dead/Mongol Horde/Frank turner)

I first heard Mineral rifling through a friend’s record collection in 1998 or so, about a year after they broke up. I fell in love pretty quickly, and they became one of my foundational bands musically – I think I subconsciously still try to write and sing like Chris, and the production is pretty perfect for me as well. When I found out they were reuniting this year I lost my mind, booked my flights, and ended up playing an opening slot at the Brooklyn show, which was a dream come true.

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Ray Harkins (100 words or less podcast)

My exposure to Mineral was a complete blur. When you are 16 years old and shoving a bunch of music in your head, it’s hard to discern exactly when/where you heard something but Mineral immediately stuck out. I had begun the process of accepting that “non-screaming” music was okay and I was allowed to listen to it after my initial punk & hardcore blitzkrieg. “Gloria” was placed on the stereo by the guitarist of my band at the time and it was loud, fast but had these things that I later called “dynamics” that I wasn’t used to. It felt good to have a moment to reflect on the song, while it was still going on. This was 1996 and ever since that small exposure, Mineral loomed large in my life. I do remember that I specifically ordered the LP because I had HEARD that it included a lyric sheet (which the CD version did not). I was ecstatic to receive the LP (before I was a full fledged collector) and poured over the lyrics all night. Long live Mineral.

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Paul Waller (OHHMS)

I don’t remember how I came across Mineral but I do know that I was listening to Sunny Day Real Estate, Boy Sets Fire and the UK’s very own Sunfactor and Spy Vs Spy before I got wind of them. Somewhere along a very fuzzy line I had bought ‘End Serenading’ and just fell in love with it straight away. My initial reaction was that I really dug the vocals. It was slow to mid paced pop music with this askew melancholic edge that kept pulling me in. But that voice, this guy was so obviously upset about something… I don’t know his name and I don’t need to but that singer guy, he was the real deal, he had almost as great a voice as Jeremy Enigk from SDRE but there was far more passion in the vocal delivery. I wanted to give him a cuddle.

A big plus with ‘End Serenading’ was that the bass lines were pretty easy to learn. I remember spending a night on my own figuring out each song track by track until I could play all of side one and then doing the same for the flip side. Don’t know why I did that. I’m not a bass player, but if I could do it then anyone could.

Every now and again somebody asks me what I think of their first album? They say it’s better, harder, even more emo. Well, I do have a copy of it but I never listen to it. The front cover is so awful that I refuse to give it a chance. If a band is going to take so little care about the way in which they present a record then I dread to think what the actual music is like.

‘End Serenading’ is the only emo album I still regularly listen to.

I can’t wait to see them play some of it live next year.

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Lewie Peckham (Bearded magazine/Is this thing on?)

I first heard Mineral through a Pop Unknown track on the second Emo Diaries compilation ‘A Million Miles Away’ (those titles) in ’98 and the sombre pace of ‘Writing it Down For You’ reminded me of Red House Painters (A favourite at the time and pretty much still to this day). I saw that Pop Unknown had ‘Ex-members of Mineral’ printed in the little catalog you got with every Deep Elm release and took a chance on a mail ordered copy of The Power of Falling and was hooked from the opening notes of ‘Five, Eight and Ten’ and by the time ‘Parking Lot’ faded out in a screech of feedback i was a devoted wreck and i still am 16 years later.

I can never listen to Mineral in the summer. Much like American Football I know when to break out The Power of Falling and EndSerenading and it’s not during July and august, save that for Something to Write Home About and Clarity. When that first hint of autumn hits you, be it a slight chill in the air that stays there all day or a walk through a park with its grass obscured by fallen brown leaves. That’s when you can find Mineral filling my ears, their songs tightly held in place by my headphones and just for me only, an exclusive club for one.

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Kristy Diaz (www.recordnotcommodity.co.uk)

When The Power of Failing was recorded in 1995, I lived in Austin, TX. Just 11 miles away from Music Lane Recording Studios, in fact. However, the first time I heard that record, like many Mineral fans I imagine, was around 10 years after its release. I mean, it’s probably for the best, I wouldn’t have ‘got’ it when I was 8. My main concern was looking for snakes in the front yard.
I don’t recall anyone introducing me to them, but I was listening to a lot of Sunny Day Real Estate that year so I guess it was just association. I have a bias toward the urgency and imperfection that comes with a band’s first record, so whilst EndSerenading was great in its own right, The Power of Failing was, and still is, my favourite. In terms of highlights, it would be hard not to mention the guitars in If I Could and the intro to Take The Picture Now, but, perhaps predictably, Gloria always stood out.
To be a dick and choose a song that they didn’t actually write as a favourite, I was always super into their cover of Crazy, from the split 7” with Jimmy Eat World and Sense Field. The guitars are interchangeably gorgeous and infuriating, but mostly I love it because it’s a bit silly, too.

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Kevin Duquette (Topshelf Records)

My earliest Mineral-related memory is having a bunch of records recommended to me after I had just recently discovered toe, Pele, Jimmy Eat World and American Football in high school. Mineral was in that bunch and I never quite made it to listening to it because — as a designer — I thought the album cover art was pretty awful (“The Power of Failing”) and chose to try many of the others first, eventually forgetting that one altogether. I went on a road trip that summer and a friend was DJing from the passenger seat, playing their albums over the car speakers. I eventually asked what it was we were listening to and realized I’d overlooked a pretty important band. I quickly remedied that when we got home.

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Morten Andre Samdal (Youth Pictures Of Florence Henderson)

I grew up being a skatepunkdude in the mid 90s (still am!), and me and my friends had this band. While the others listened to mostly fast punkrock, I looked for something a bit different. I tried my way through britpop, grunge and some other straight forward rock bands, but nothing really hit as hard as the fast paced melodic punkrock I loved. Not until I bought a bunch of records, with bands like Hot Water Music, Mineral, Alkaline Trio, Christie Front Drive and Jimmy Eat World, if I remember it correctly. Mineral was life changing. The record I first got was The Power of failing, and it hit me in the guts. The tender melodies wrapped in distorted raw guitars, and the way Chris Simpson dragged the words much longer than I ever thought was possible – I’d never heard anything like it. I got the other guys in the band to give it a listen, but they just laughed and said it was music for pussies. Not long after my band parted ways, and I started an emo-band. Mostly because of Mineral, I guess!
While bands like JEW, HWM and Alkaline Trio just got worse and worse over the years, Mineral and CFD were smart and disbanded, like a real emo band should do 😉 To this day, these two are my favourite 2nd generation emo bands, and I still listen to them regularly. I am so coming to London in February (hope they play that song).

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James Benwell (Fan)

I found Mineral through The Gloria Record and I found TGR through the guy working downstairs at Tempest Records (R.I.P) in Birmingham. It’s been a 15 year love affair that hasn’t faded. The rawness of The Power of Failing still sounds as visceral as ever and EndSerenading became the soundtrack to my winter nights, and made me wish it was winter the rest of the year round.
They’ve always touched a chord lyrically. Stories of love, the beauty in the world around us, and then songs like MD, perhaps a precursor to the likes of the latest Empire! Empire! album; so personal, so simple, yet so heart wrenchingly beautiful when told over a soundtrack that can make you feel like you want to tell everyone you know that you love them, or to fall in love just so you can find some words of your own.
I never thanked the guy at Tempest, I wish that I had. He’s the reason that I’m not deaf at 31 to the sound of the greatest band that i’ll ever got to hear.

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Gary Sleith (Good post day records)

I first heard Mineral thanks to the (Don’t Forget To) Breathe compilation CD. I bought it from Amazon, and at the time I was heavily into a few of the bands on it, bands like Promise Ring, Knapsack, Hot Water Music & Fireside, but I had never heard of Mineral. For me, their track on the record, ‘Rubber Legs’ was a real Jerry Maguire ‘You had me at hello’ moment…5 seconds in I was hooked and by the time Chris Simpson sings “your boy is all alone tonight but i will never forget how you taught me to stand on these rubber legs and fight.” at the end I was head over heels. I bought EndSerenading online immediately and connected with it in a way that I had only done with one record up to that point; Clarity. My favourite song on it initially was ForIvadell but when I listen to it today, I’m always blown away by &Serenading(probably the influence of Alex!) but if I had to pick a favourite Mineral song, I would have to go with ‘February’ from their self-titled 7”. For me, that track perfectly encapsulates Mineral despite being perhaps one of their, for want of a better word, “heavier” tracks and to this day I use it as a benchmark for truly great emo music, up there with songs like ‘E. Texas Avenue’ ‘For Me This Is Heaven’ & ‘Never Meant’

Thank you so much for reading xx

Contact us: http://www.facebook.com/isthisthingonblog, ittoblog@gmail.com, twitter @alex_itto @BonersaurJR

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The end is nigh….

I’ve been mulling over this post for a while now. I’ve had little time to do any writing recently so very nearly jacked in the idea for this post but it does, kind of, follow on from a previous one I wrote last year so here goes.

Last week I bought Kerrang magazine, let me tell you for why (in a roundabout way).

Cast your minds back to last summer, you may or may not have read a post I wrote bemoaning an old copy of the NME from 2002 that I’d kept hold of. The issue in question was an emo special, a beginner’s guide to the new hip underground movement that the NME would make out they discovered on your behalf only to then trash it later on. Jimmy Eat World were on the cover, Hundred Reasons and Rival Schools were interviewed within and the whole thing was made to look like a fanzine, DIY style. My main grievance with the issue was that whilst it was trying to introduce its readers to the genre it was simultaneously mocking the whole thing which then made the issue completely pointless. No one who had never heard of it before would be interested and it would piss off and alienate those who were already part of it. At that time bands were trying to distance themselves enough from the emo tag and things like this only made things a lot worse.

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It probably seems weird that someone would care so much about what they did. I read way too much into the article and definitely took it too personally but at the time it came out of the blue and it felt like it was the beginning of the end. Having been into music since I was a kid in the 80’s, to being a long-haired grunger in my early teens to then falling in love with punk, pop punk, indie, post hardcore etc.. from the mid 90’s, music held a lot of importance in my life. In 1998 the band I was in (the babies three) were making the transition from playing throwaway pop punk into something more substantial. We would spend hours listening to Mineral, Sunny Day Real Estate, Beezewax, Fugazi, The Promise Ring and so on and our music reflected this. We started to feel like we were part of something, bands were coming to play our small seaside town. Our singer, Paul, put on Harriet The Spy in his living room and Appleseed Cast at our local Friday night hangout. Come Easter of 1999 we were going out on a UK tour with two bands, Rydell & Sunfactor, with whom we had just put out a 3 way split CD. In all honesty some of the shows were terrible but some were the most amazing I’ve ever played, the whole time though it really felt like we were part of something that was happening there and then. Up until that point anything I’d been into I was either too young to be a proper part of or had already happened. But this was happening, we were a tiny part of it and it was fucking exciting, we didn’t want or need the mainstream music press to get involved.

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In the UK, in 2002, something definitely shifted. Jimmy Eat World were making appearances on Saturday morning kids shows and selling out Brixton Academy. At the Drive-In were being proclaimed the ‘best band in the world’ and you no longer had to seek out a distro or indie record shop because HMV suddenly had all the bands cd’s that you loved in massive amounts. After then most of my friends were moving on to other things, other bands, other genres. A couple of years later emo came to mean something entirely different and that weird goth definition really did enter the mainstream consciousness and duly pissed over everything I’d been part of that point. When the travesty that is the Daily Mail wrote an article warning parents of the danger of this new cult they called emo then that was the final nail in the coffin.

The next few years after that I became a little bit lost, musically speaking. I felt jaded and burnt, I wasn’t playing music/finding new bands/buying as many records any more. But that all changed when someone told me to check out Algernon Cadwallader and I was completely blown away. I couldn’t believe a band was playing music like this again and playing it this well, it was so fresh and exciting. This led on to discovering a whole wealth of other bands, a scene was happening again and somebody had declared it to be an emo revival. No one was mentioning the mid-noughties wilderness goth years anymore and instead bands were giving musical nods to the 90’s with bands like caP’n Jazz, Mineral and American Football.

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I was obviously in heaven at this point, I was finding new bands to fall in love with on a daily basis and I then started this blog to help share the good news. I started drawing comparisons with the late 90’s scene and it got me to thinking about what went wrong the last time around and whether that would be likely to happen again, would a band become really big? would bands start to shun the emo tag and start to release sub-standard records because of this? However I looked at it I couldn’t see an end in sight but then Twitter was about to change all that.

Twitter is incredible for finding out things before anywhere else but the news that Fall Out Boy were reforming I could’ve waited for. They were back and people were excited, EXCITED??!!?? In my mind Fall Out Boy have a lot to answer for, years ago a front cover of the NME again had caught my eye in a newsagent because it stated the emo was back in the form of Fall Out Boy. I went straight to their MySpace page, such was the fashion at the time, desperately wanting to hear what the NME was referring to. Instead of being happy that I’d found a new band, I was just left wondering “WHAT THE FLIPPING HECK IS THIS CRAP??” So, to learn they’re back filled me with absolute dread. Feels a bit weird that they’ve reformed during this revival, like when someone nobody likes turns up at a party and makes everyone feel uncomfortable. Are they thinking that there’s an emo scene happening again and if they’re quick they can cash in? Maybe, maybe not but who cares because it won’t change anything.

And this is where the aforementioned issue of Kerrang comes in. With its headline; “EMO, The amazing untold story”

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When I first saw it I felt deflated, do we really have to put up with this again? And then I started thinking how dumb it was that a 32-year-old was getting upset with what is essentially a kids magazine, a metal Smash Hits. I bought the issue and skipped to the middle section, ignoring the “6 awesome posters”, and read through the “history” of emo. It was obviously re-written in the time-honoured Kerrang tradition of just making it up as you go along because the kids that read the magazine are too young to know any different. A nod at the beginning to Rites of Spring and Embrace then quickly through Quicksand and Far on to Hundred Reasons and Jimmy Eat World to Panic at the Disco, My Chemical Romance and The Used with no time to mention Mineral at all. There was a time that I’d have been outraged by all this but after an initial, short-lived, pissed off reaction I’m now left thinking that I shouldn’t give a shit. Who is it really harming anyway? So some people like 30 Seconds to Mars, well more fool them. If I focus on all the amazing things, bands, records that are about today then its easy to ignore what mainstream magazines are saying. There is an incredible online community of people who I can still reminisce about the 90’s with or enthuse about the new band on Count Your Lucky Stars with.

When I boil it down, when I’m calm and rational I know nothing bad will happen because of this article. But wait a minute, whats this bit at the end when Kerrang talk about emo nowadays?? One of my favourite bands, Tigers Jaw, have their photo on the last page of the article with the tag “Tigers Jaw, the new face of emo”. Tigers Jaw split up on Thursday. What the hell have you done Kerrang, WHAT THE FUCKING HELL HAVE YOU DONE???????????????????????????????????????????????????????????????????????????????????

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Thanks for reading, get in touch here or on facebook – www.facebook.com/isthisthingonblog or on twitter – @alex_itto

You can download my old bands song from the split mentioned in the post for free HERE

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Joie De Vivre

Bands from years ago, bands we all loved/still love, have been reforming to play reunion shows and tours a hell of a lot recently and this year is no exception. It does excite me somewhat when I hear that I may get to see a favourite band play live again. It’ll never match seeing them play the first time around though. However excited we get to go to these gigs we all wish we’d been there in their heyday playing some tiny basement somewhere. Which is why, when I see that a new band that I’m really excited about is going to play somewhere within reasonable distance I’m going to make the effort to turn up. As we arrived to see Joie De Vivre play in Brighton last Friday (6th July) I mentioned to my friend that this was my Mineral! Now I know that sounds a bit dumb. I never got to see Mineral play, not that many people did and Joie De Vivre have been compared a lot to the emo legends. But I think it’s more than just a comparison in their musical style. I believe that Joie De Vivre are a truly special band who make beautiful records, just like Mineral did. So getting to see Joie De Vivre play just weeks after the release of their latest album it felt like one of those moments that I will be looking back at, in years to come, and thank goodness that I was there.

As I just mentioned, Joie De Vivre released their new album, ‘We’re all better than this’, in the last few weeks. It’s a record that has been creating quite a buzz amongst us emo types on twitter and the like recently and as soon as you put the record on you can see that’s it not all just hype. It’s a tremendously uplifting record and so was the experience of seeing them play. They were playing with Football, etc., another band that I’m a huge fan of, at Sticky Mike’s Frog Bar in Brighton. We got there early, enjoyed a pizza and the flashback shows playing on a big flat screen TV (Including clips of Neighbours, Gladiators, TFI Friday and Willo The Wisp) ,waited patiently through the other support bands and made our way to the front for the reason we came. Read about Football, Etc. HERE.

Joie De Vivre had arrived onstage later than expected and wasted no time in setting up and launching in to their set. The room was soon packed and the crowd were in great voice. It is often a worry that you can build expectations up too high when you go to see a band that you love and there is nothing worse thn a band turning out to be rubbish live. It really ruins them for me. I remember seeing Soundgarden play at Reading Festival in 1995 when I was 15, at the time I was as big a grunger as could be and I had the long, greasy hair to prove it. Soundgarden were the 2nd to last band to play on the main stage on the Sunday and they were awful. The sound was bad, they looked like they couldn’t be arsed to be there and the hour that they played for seemed to drag on forever. After that, I never really felt the same way towards them again, even though ‘Superunknown’ was one of my favourite albums at the time, It was now tainted. I digress but I just had to get that out there, I’ve kept it in for so long. But I’m more than extremely happy to report that Joie De Vivre absolutely killed it!!

It was a set heavy with songs from the new record and that beautifully positive and uplifting sound translated incredibly well to their live show. The sounded faultless and looked like they were having the time of their lives. Every time the trumpet played I was getting goosebumps and we had the added thrill of Lindsay Minton from Football, Etc on hand to provide backing vocals like she does so delightfully on the album. What a treat! They also had a great banter about them, the breaks between songs were often as entertaining as the songs themselves. When deciding what songs to play at the end of the set someone in the crowd shouted out, “Play the song that sounds like Mineral!”, singer/bass player Brandon Lutmer looked him in the eye, pointed his finger at him and with a huge grin exclaimed “Done!”. It’s such a joy to see a band enjoying being there.

‘We’re all better than this’ really is a contender for the album of the year. It’s so good it annoys me that songs like ‘Maybe people don’t change’ and ‘At least I tried’ aren’t included in the Is This Thing On? top 100 emo songs of all time because they deserve to be there. I will have to do an updated list at some point. Although I’ve talked about how uplifting I find the music to be, the lyrics speak of love thats lost and a willingness for things to go back to what they used to be. This never brings the tone of the record down, the emotion is true and the delivery is honest, you can tell that being able to write these songs is working in a cathartic way. The album is also very precise, the songs don’t linger on like they could do. Many of the tracks are less than 2 and a half minutes in length and they don’t need to be any longer, they always manage to convey what is needed and this also helps to be as listenable as possible. As soon as it’s finished you can just stick it back on and enjoy it again.

The album, whilst still retaining that 90’s emo sound, sounds less like Mineral than their older releases. There are still influences running through, a bit of Gloria Record here and there and ‘Going to a going away party’ starts off by sounding a bit like Joan Of Arc at their best. But overall ‘We’re all better than this’ sounds like Joie De Vivre, they really have come in to their own on this album. If you know what is good for you then you will go and buy this record if you haven’t already. If you are here in the UK you can order it HERE from Strictly No Capital Letters, or you can download it HERE from Count Your Lucky Stars.

Live photo’s courtesy of Living well productions, thanks Mikee

I hope you enjoy it. Again and as always, thanks for reading. Feel free to comment or come bother me on twitter (@alextb3)

Cheers x

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