Band – The Saddest Landscape
Album – After the lights
Label – Topshelf records
Sometimes, listening to the the type of music I listen to can send me one of two ways. It’ll either make me launch myself around the room, throwing all sorts of crazy shapes whilst pointing my fingers in a insane manner. Or, it will leave me cuddled up on the floor questioning existence itself. Some would mock, some would query why, all would laugh. Predominantly, it will have the first effect. It’s the genius of this emotional brand of punk rock, a song that is lyrically desperate and musically traumatising can have an uplifting and positive affect on you.
It’s hard to say which way The Saddest Landscape will send me, it could go either way but will take a few listens to get there. They are back with their new 7-track album released on everyone’s favourite label, Topshelf records. Again, it’s a solid and well crafted record as you would expect from this band. But they make you work for it. By that I mean, like their other records, It’s not instantly easily accessible. Without taking anything away from the band, the music that The Saddest Landscape make is not as instantly likeable as bands such as Pianos Become The Teeth or Touché Amoré. With those bands you get swept away on the first listen and get immediate gratification. The Saddest Landscape don’t give it to you on a plate, they make you work for it. But work and you will be rewarded, greatly so.
The Saddest Landscape play modern emotional hardcore. Its a scene/genre that has been re-awakened and set alight in recent years. These are exciting times and The Saddest Landscape can rightly stake their place amongst the bands taking credit for this. ‘After the lights’ builds on the consistency of the last album ‘You will not survive’, it doesn’t take giant strides forwards in evolving their sound into something new, but then it doesn’t have to. It is nice to know what you’re going to get with some bands, not every record has to be a game changer.
‘After the lights’ is dark, emotionally open and unsettling. Musically, the use of dynamics is put to great use. The gentle opening soft guitar play on the first song ‘In love with the sound’ quickly blasts into a wall of sound and from there on the use of quiet/loud is used consistently well. Most notably on ‘When everything seemed to matter’, when a cello is weaved into the mix, softening the guitars and making it all the more intense when the full band kicks back in. The further in to the record as well the more melody plays a part, as if the band are starting to trust you and open up to you the more you stick with them.
It may have taken me 4 or 5 good listens to really be sold on ‘After the lights’ but I am so glad I kept with it. I am now desperate they see The Saddest Landscape play live as I think most of these songs will be taken to the next level in that environment, and I can have a fair guess as to which way I’d react. If you are a fan of intense angry and emotional punk rock full of driving riffs then this is definitely for you.
Click here to go to the Topshelf Records bandcamp page where you can stream/buy the record.
Cheers for reading xx
Below is the video for the opening track ‘In love with the sound’